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It explores the sacrifices made in the pursuit of greatness, paying homage to the sonic pioneers of LA while firmly cementing his own place as the vanguard of the city's modern sound. It is a celebration of independence and the self-made mentality, reminding listeners that he remains the chief architect of his own destiny.Ultimately, Labor of Love is a testament to the grind, capturing the sleepless nights and tested relationships that pave the road to success. Blxst puts his heart on the line to show that the work itself is where the true passion lives, creating an album for the city, for his family, and for everyone who stays dedicated to their craft. More than just a collection of radio-ready hits, this project is a cohesive, cinematic experience from one of music's most reliable hitmakers. 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A combination of 'sweet' and 'funky' is the secret of Al Green's gloriously sentimental and sensual pop songs, which in the sexually free Seventies were often referred to as -songs to make love byr. What swings along gently is, however, Al Green's subtly controlled falsetto, which he can tone right to the threshold of audibility. But watch out! This music belts out some fiery sounds right from the very first number. The sinuous, swinging request in the brilliant hit single \"Call Me\", the relaxed and groovy \"Stand Up\", with it's sharp wind interjections which demand one's unerring attention, are typical for Green's style, just as is his almost disturbing capability to gain comfort from loneliness (\"I'm So Lonesome, I Could Cry\"). This rhythmically powered music can best be described as light, intensive, dynamic but never flashy (\"Your Love Is Like The Morning Sun\"). It finds it's earthly culmination in soul (\"I'm Waiting\") and spiritual depth..\" Recording: 1973 at Royal Recording Studios, Memphis, TN, by Willie MitchellProduction: Al Green and Willie Mitchell.\" \"Call Me\" - Al Green (voc); James Mitchell (bs, arr); Andrew Love (ts); Jack Hale (tb); Wayne Jackson (tp); Mabon Hodges (g); Charles Hodges (keyb); Archie Turner (p); Leroy Hodges (b); Howard Grimes (dr); The Memphis Strings; a.o..\" standard sleeve\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eCall Me (Come Back Home)\u003c\/li\u003e\n\u003cli\u003eHave You Been Making Out O.K\u003c\/li\u003e\n\u003cli\u003eStand Up\u003c\/li\u003e\n\u003cli\u003eI'm So Lonesome I Could Cry\u003c\/li\u003e\n\u003cli\u003eYour Love Is Like the Morning Sun\u003c\/li\u003e\n\u003cli\u003eHere I Am (Come and Take Me)\u003c\/li\u003e\n\u003cli\u003eFunny How Time Slips Away\u003c\/li\u003e\n\u003cli\u003eYou Ought to Be with Me\u003c\/li\u003e\n\u003cli\u003eJesus Is Waiting\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 4260019714190\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Speakers Corner\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.4.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl Records\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Speakers Corner","offers":[{"title":"Default Title","offer_id":46354352603332,"sku":"4260019714190","price":63.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0711\/9336\/2628\/files\/1956050.jpg?v=1783429407"},{"product_id":"pre-order-clarence-carter-this-is-clarence-carter-lp","title":"Clarence Carter - This Is Clarence Carter [LP]","description":"\u003cp\u003eClarence Carter, blind from birth, was a blues singer with lascivious wit, a talented guitarist, a songwriter with a twinkle in his eye, and a champion of down-to-earth soul grooves who taught himself to play the guitar. He sang in a gospel choir, completed a degree in music, and grounded the duo Clarence \u0026amp; Calvin but was not however very successful. After a car crash involving Calvin Scott, Carter started on a solo career and signed a contract with Rick Hall and the Fame label as a soloist. Among the earliest singles recorded at the Muscle Shoals studio were a few hits. After leaving Fame for Atlantic, he managed to enter the Top 20 of the R \u0026amp; B charts with \"\"Looking For A Fox\"\". His breakthrough came with \"\"Slip Away\"\", which sold a million copies and was awarded a Gold Record. The legendary Fame Studios in Muscle Shoals remained the home basis, as it were, for Carter during his career with Atlantic. \"\"This Is. \"\" begins with a contemplative, soft sound. \"\"Do What You Gotta Do\"\", written by Jim Webb, is a lovely, melancholic mid-tempo ballad, saturated with Barry Beckett's keyboard and smothered by lush, plaintive winds. But the man is primarily funky here. 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