{"title":"Cassettes","description":"","products":[{"product_id":"pre-order-various-artists-pain-of-separation-turkish-gazels-1926-1935-cassette","title":"Pre-Order: Various Artists - Pain of Separation: Turkish Gazels. 1926-1935 [Cassette]","description":"\u003cp\u003eA collection of spellbinding, melismatic vocal improvisations taken from 78s cut between the mid 1920s to mid '30s - a period defined by the aftermath of the Ottoman Empire's partition, the Greco-Turkish War and the compulsory population exchange that followed.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHafiz Sadettin Kaynak - Falling Into the Flames of Heartbreak\u003c\/li\u003e\n\u003cli\u003eHfiz Burhan - Everywhere Is Darkness\u003c\/li\u003e\n\u003cli\u003eHafiz Kemal Bey - the Moment I Saw You\u003c\/li\u003e\n\u003cli\u003eHoca Izak Algazi - If I Gave My Heart to You\u003c\/li\u003e\n\u003cli\u003eHafiz Sadettin Kaynak - I Fell in Love\u003c\/li\u003e\n\u003cli\u003eHafiz Kemal Bey - the Sky Cries\u003c\/li\u003e\n\u003cli\u003eHafiz Sadettin Kaynak - the Pain of Separation\u003c\/li\u003e\n\u003cli\u003eTarsuslu Abdülkerim - I Waited for So Many Nights\u003c\/li\u003e\n\u003cli\u003eHafiz Kemal Bey - a Gaze That Gathers the Blossoms of Longing\u003c\/li\u003e\n\u003cli\u003eBursali Hamid Bey - I Became the Guardian of My Own Gaze\u003c\/li\u003e\n\u003cli\u003eHafiz Kemal Bey - the Dagger of Gazes\u003c\/li\u003e\n\u003cli\u003eHoca Izak Algazi - My Heart's Sole Longing Was to Find It's Harbor Through Love\u003c\/li\u003e\n\u003cli\u003eHafiz Kemal Bey - with Longing Because of This\u003c\/li\u003e\n\u003cli\u003eHafiz Sadettin Kaynak - O My Beloved, Drunk with Your Own Charm, Who Raised You to Be So Fearless\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 5050580874091\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Death Is Not The End\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.12.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Cassette\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Death Is Not The End","offers":[{"title":"Default Title","offer_id":46213341118660,"sku":"5050580874091","price":22.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0711\/9336\/2628\/files\/4514828-3596097.jpg?v=1780627975"},{"product_id":"pre-order-quiet-fear-tierra-arriba-el-abismo-abajo-cassette","title":"Pre-Order: Quiet Fear - Tierra Arriba\/el Abismo Abajo [Cassette]","description":"\u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 725305742409\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Iodine Recordings\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 7.10.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Cassette\u003c\/p\u003e\u003c\/div\u003e","brand":"Iodine Recordings","offers":[{"title":"Default Title","offer_id":46213358256324,"sku":"725305742409","price":12.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0711\/9336\/2628\/files\/4517692-3604507.jpg?v=1780628092"},{"product_id":"pre-order-rostam-american-stories-white-cassette","title":"Pre-Order: Rostam - American Stories [White Cassette]","description":"\u003cp\u003eRostam’s third album, American Stories, arrives May 15, his first new music in over five years. The Iranian- American artist and acclaimed producer returns with a record that explores his life across dual cultural worlds. The music weaves together elements of Americana and Persian traditions, blending finger- picked guitars, pedal steel, and strummed chords with microtonal Persian melodies. “That marriage of east and west felt like music that I needed to make for this album.” Interweaving his own experiences, Rostam's lyrics are a collection of stories and reflections, “The Weight” takes place on college campuses in America in the spring of 2025. In “Forgive is to Know,” Rostam processes real events and the act of songwriting itself. Rostam makes sense of the end of a relationship in “Hardy ft. Clairo” and contends with humanity’s uncertain future. The result is a record that feels deeply individual yet unmistakably American. “Ultimately I hope listeners find comfort in this record and I want to leave people with a feeling of optimism.”\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eLike a Spark\u003c\/li\u003e\n\u003cli\u003eBack of a Truck\u003c\/li\u003e\n\u003cli\u003eDifferent Light\u003c\/li\u003e\n\u003cli\u003eHardy (feat. 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It marks the band’s first record in ten years since 2016’s For All Kings, which debuted in the Top 10 of the Billboard 200. CURSUM PERFICIO will be available in various physical configurations to pre-order\/pre-save; click HERE. The phrase Cursum Perficio is Latin for “My journey has come to an end,” “My journey is over,” or “I complete my journey.” It proves apropos for such a complete body of work.\u003c\/p\u003e\u003cp\u003eFor CURSUM PERFICIO’s first single and video, “It’s For The Kids,” the quintet bulldoze the way for the album’s impact. It’s a classic ANTHRAX ripper locked and loaded with buzzsaw-sharp riffs, explosive drumming, and a howling and head-banging hook. 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The return of AZ to the forefront of the rap scene is officially marked by his elevated new album, Doe Or Die III. The RIAA certified platinum artist with long time collaborators like Nas, The Wu-Tang Clan, Mobb Deep, and many Hip Hop icons is back to finish the trilogy which started 30 years ago, reminding the rap game that his legacy is forever cemented.\u003c\/p\u003e\u003cp\u003eFollowing the massive success of his previous masterpiece, this new body of work serves as an evolution from his first Doe or Die album to now. Doe or Die was the intro as AZ made a name for himself. 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By fifteen they were running a local studio and radio station. There was no industry support, no infrastructure, no template for what they were trying to do, only the work itself and the conviction that it was worth doing.At seventeen they relocated to Montreal, joined by Chris Clegg and Thomas Hart, assembled from different corners of the country, and began building Truck Violence from the ground up. The weathervane is my body, the band's second full-length record and first with San Francisco's The Flenser, is the product of that process. Every element reflects this. The group composition, the recording, the mixing and the visual media were all produced in house without outside intervention. DIY here is not an aesthetic choice or a marketing angle, it is the only honest option available.The album cover was shot on film by the band on Avenue du Parc in Montreal. A figure perches atop a small Quebecois-style house, handbuilt from reclaimed materials, spine curved, legs pulled in, bare-backed against a skyline that dwarfs everything beneath it. A rural thing dropped into the grit of the city, small and out of place and refusing to disappear. The body is naked and defenseless, open to every stimulus the world cares to deliver. This is the album in a single image.The weathervane is my body is a continuation, an expansion, a further scribbling together of that angry statement of purpose that is their debut album, aptly titled Violence. 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It is an intriguing pairing; Haram is one-half ofthe duo 700 Bliss with rapper and poet Moor Mother and has several solo records underher belt-including 2025's critically acclaimed Beside Myself (Hyperdub)-and highprofile collaborations with BbyMutha, Fever Ray, Ghais Guevara, and Armand Hammer.Meanwhile, although Critical Thot is Sha Ray's official debut album, her reputation as anext-wave talent precedes her. Haram got wise in 2022 when she saw Sha Ray performat a show in Brooklyn.\"We spoke at the venue and after that I followed her on social media. She gave anincredible performance, so later on when she slid in my DMs asking for beats, I wasalready on board,\" Haram explains.An Armand Hammer\/DJ Haram show in LA was the nexus for these connections toyield fruit. Sha Ray flew down from the Bay to link with Haram, and although the twodidn't end up recording anything that day, it was the springboard for the cross-countrycollaboration that culminated in Critical Thot. The whole album was made remotely:Haram cooking up beats in Brooklyn and sending them to Sha Ray, who would sendback demos and notes. They got to know each other as artists, and as people, while theyworked on this project.\"Haram and I have had so many overlapping experiences working as women in themusic industry, which really enriched our bond. That, and her very striking approach toproduction, really inspired a lot of the writing on this record,\" Sha Ray says.That writing is razor sharp and refreshingly direct. Sha Ray quickly proves herself to bein a class of her own, navigating even the knottiest of DJ Haram productions withouttaking her foot off the gas. Haram digs deep into her bag with beats that run the gamutfrom experimental and abrasive to slinky fun to darkly foreboding. Percussive thuds andshots are layered with intricate details and soft linings. A trappy banger dissolves intoa flood of strings. 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Cooper Crain and Bill MacKay's keyboard and guitar duo make unbridled electro-ecstatic, intuitive assembly of deep and wide trans-hemispheric sounds. 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It plays like a natural next step, showing confidence built through constant movement.Blame the Clown finds Twisted Teens right where momentum meets confidence and craft. They may still be flying under the radar, but now's the perfect time to dig into both of their full lengths. This record is rough by choice, never sloppy, balancing grit with melody and tradition with forward motion. It sounds lived in and earned, the kind of album that only gets better the longer it spins. 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From her Grammy-winning songwriting roots on Eminem's \"The Monster\" to global chart-toppers with David Guetta and Florida Georgia Line, Rexha has established herself as a premier musical chameleon. With her latest project, Dirty Blonde, she officially enters a new era as an independent powerhouse. Now signed to EMPIRE, the Brooklyn-born star has crafted a 13-song \"genre kaleidoscope\" that serves as her first-ever visual album, representing a total creative rebirth and a departure from the major-label system she's known since she was a teenager.Recorded across London, Tokyo, and Europe, Dirty Blonde captures the energy of Rexha's global travels. The project seamlessly blends heavy-hitting dance floor anthems with deep, personal storytelling. With the lead single \"New Religion\" she takes us straight to the club by reimagining the iconic dance record \"Insomnia\" by Faithless. 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Born in Sapporo, Hokkaido. Graduated from Musashino Art University and completed graduate studies at Tokyo University of the Arts.In 2010, she began her career after hearing a comment from her university teacher.In 2012, she made her debut with her first album, 'Shibata Satoko Island, ' produced by Hiroki Misawa and featuring multiple tracks. Since then, she has expanded her activities to include singing, such as the hour-long monologue-like work 'Tanomosi Musume' at the theater festival Festival\/Tokyo 13, and has released eight albums to date.In 2016, she published her first poetry collection, 'Desert.' In the same year, she won the 5th El Sur Foundation Newcomer Award in the Contemporary Poetry category. She has also contributed many essays, poems, and picture book stories. In 2023, she published a collection of essays, 'Kiregire no Diary, ' a compilation of her serialization in the literary magazine 'Bungakukai' over a period of seven years. 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