{"title":"Classical","description":null,"products":[{"product_id":"pre-order-lopes-graca-lopes-joly-braga-santos-complete-chamber-music-vol-1-3-cd","title":"Pre-Order: Lopes-Graca \/ Lopes - Joly Braga Santos: Complete Chamber Music Vol. 1-3 [CD]","description":"\u003cp\u003eJoly Braga Santos (1924-88) was one of the most important composers in twentieth-century Portugal. In his early works his fondness for modal harmony, absorbed from the Portuguese masters of the Renaissance, and his busy counterpoint combine to make him sound surprisingly close to such particularly English composers as Vaughan Williams and Moeran. Although his harmonic language became more astringent with time, it retained a burly sense of humour and a powerful charge of energy, often infused with the spirit of Portuguese folk-dance. [Volumes 1-3: TOCC 0207, 0428, 0588]\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 5060113447722\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Toccata\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.11.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\u003c\/div\u003e","brand":"Toccata","offers":[{"title":"Default Title","offer_id":46213206835396,"sku":"5060113447722","price":32.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0711\/9336\/2628\/files\/4429834-3399368.jpg?v=1780627124"},{"product_id":"pre-order-dvorak-pavlu-spencer-songs-cd","title":"Pre-Order: Dvorak \/ Pavlu \/ Spencer - Songs [CD]","description":"\u003cp\u003eMezzo-soprano Ester Pavlu has chosen four of the two dozen individual songs and song cycles that the world-famous Czech composer Antonin Dvorak (1841-1904) wrote during his lifetime. Ester Pavlu's magnificent voice as well as her and her convincing stage presence make her one of the most promising mezzo-sopranos of the current generation, who wins the admiration of audience and critics both on domestic stages and abroad. Charles Spencer is one of the most sought-after piano accompanists worldwide who regularly collaborates with many of the world's most renowned singers.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 8594029812512\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Arcodiva\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.11.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\u003c\/div\u003e","brand":"Arcodiva","offers":[{"title":"Default Title","offer_id":46213208506564,"sku":"8594029812512","price":18.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0711\/9336\/2628\/files\/4383282-3287569.jpg?v=1780627139"},{"product_id":"pre-order-lehtola-konttori-gustafsson-axel-ruoff-complete-works-for-organ-vol-1-5-cd","title":"Lehtola \/ Konttori-Gustafsson - Axel Ruoff: Complete Works For Organ Vol. 1-5 [CD]","description":"\u003cp\u003eThe organ works of Axel Ruoff, born in Stuttgart in 1957, constitute one of the most important contributions to the literature for the instrument by any composer since Messiaen. 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Lute player Anders Ericson plays recently restored instruments by Swedish 18th century master luthier Johan Jerner, that take us back to an intriguing and intimate sonority from another time. Swedish composers Cloos, Ankar and Wikmanson clearly display the high musical and technical level of early Swedish \"Luthenists\". Each work on \"Solo Pieces for Lutha\" is a world premiere recording, which makes this disc truly exciting. An unknown musical treasure and an unheard instrument resounds!\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 822359004542\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Daphne Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.11.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\u003c\/div\u003e","brand":"Daphne Records","offers":[{"title":"Default Title","offer_id":46213208932548,"sku":"822359004542","price":18.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0711\/9336\/2628\/files\/4429802-3399409.jpg?v=1780627140"},{"product_id":"pre-order-rossetti-ens-thomas-robert-furstenthal-complete-chamber-music-vol-1-3-cd","title":"Rossetti Ens \/ Thomas - Robert Furstenthal: Complete Chamber Music Vol 1-3 [CD]","description":"\u003cp\u003eWhen Germany invaded Austria in 1938, Robert Furstenthal, born in 1920, took the path of many Viennese Jews and fled to the United States, where he made his living as an accountant; the fact that he had written music in his youth was soon forgotten. Reconnection, after 35 years, with the woman who had been his first love rekindled both that flame and his urge to compose, and from then on songs and chamber music flowed from his pen, preserving the spirit of fin-de-siecle Vienna under the Californian sun - 'When I compose, I am back in Vienna', he explained. He died in November 2016, aged 96, knowing that his lyrical, eloquent music was at last attracting the attention of both musicians and microphones. [Volumes 1-3: TOCC 0519, 0542, 0577]\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSonata for Two Oboes and Piano in D minor, Op. 56-I. Allegro Moderato\u003c\/li\u003e\n\u003cli\u003eSonata for Two Oboes and Piano in D minor, Op. 56-II. Lento\u003c\/li\u003e\n\u003cli\u003eSonata for Two Oboes and Piano in D minor, Op. 56-III. Scherzando\u003c\/li\u003e\n\u003cli\u003eSonata for Two Oboes and Piano in D minor, Op. 56-IV. Intermezzo: Cantabile\u003c\/li\u003e\n\u003cli\u003eSonata for Two Oboes and Piano in D minor, Op. 56-V. Rondo: Allegretto\u003c\/li\u003e\n\u003cli\u003eCello Sonata in F minor, Op. 58-I. Allegro Moderato\u003c\/li\u003e\n\u003cli\u003eCello Sonata in F minor, Op. 58-II. Andante\u003c\/li\u003e\n\u003cli\u003eCello Sonata in F minor, Op. 58-III. Scherzando\u003c\/li\u003e\n\u003cli\u003eCello Sonata in F minor, Op. 58-IV. Grave\u003c\/li\u003e\n\u003cli\u003eViola Sonata in D minor, Op. 57-I. Lento - Allegretto\u003c\/li\u003e\n\u003cli\u003eViola Sonata in D minor, Op. 57-II. Scherzando\u003c\/li\u003e\n\u003cli\u003eViola Sonata in D minor, Op. 57-III. Lento\u003c\/li\u003e\n\u003cli\u003eViola Sonata in D minor, Op. 57-IV. Vivace\u003c\/li\u003e\n\u003cli\u003eViolin Sonata in B minor, Op. 43-I. Allegro Con Fuoco\u003c\/li\u003e\n\u003cli\u003eViolin Sonata in B minor, Op. 43-II. Lento\u003c\/li\u003e\n\u003cli\u003eViolin Sonata in B minor, Op. 43-III. Scherzando\u003c\/li\u003e\n\u003cli\u003eViolin Sonata in B minor, Op. 43-IV. Andante Con Variazioni\u003c\/li\u003e\n\u003cli\u003ePiano Trio, Op. 65-I. Moderato, Ma Con Spirito\u003c\/li\u003e\n\u003cli\u003ePiano Trio, Op. 65-II. Cantabile\u003c\/li\u003e\n\u003cli\u003ePiano Trio, Op. 65-III. Andante - Allegro Ma Non Troppo\u003c\/li\u003e\n\u003cli\u003eNotturno in D Flat Major for Piano Trio, Op. 51, Lento\u003c\/li\u003e\n\u003cli\u003eFlute Sonata in G minor, Op. 47-I. Allegro Con Spirito\u003c\/li\u003e\n\u003cli\u003eFlute Sonata in G minor, Op. 47-II. Intermezzo: Comodo\u003c\/li\u003e\n\u003cli\u003eFlute Sonata in G minor, Op. 47-III. Lento\u003c\/li\u003e\n\u003cli\u003eFlute Sonata in G minor, Op. 47-IV. Allegretto Un Poco Marcato\u003c\/li\u003e\n\u003cli\u003eViolin Sonata in G minor, Op. 46-I. Lento - Allegro Moderato\u003c\/li\u003e\n\u003cli\u003eViolin Sonata in G minor, Op. 46-II. Scherzando\u003c\/li\u003e\n\u003cli\u003eViolin Sonata in G minor, Op. 46-III. Adagio\u003c\/li\u003e\n\u003cli\u003eViolin Sonata in G minor, Op. 46-IV. Lento - Allegro Assai\u003c\/li\u003e\n\u003cli\u003eOboe Sonata in E Flat Major, Op. 63-I. Allegro Con Brio\u003c\/li\u003e\n\u003cli\u003eOboe Sonata in E Flat Major, Op. 63-II. Lento\u003c\/li\u003e\n\u003cli\u003eOboe Sonata in E Flat Major, Op. 63-III. Scherzando\u003c\/li\u003e\n\u003cli\u003eOboe Sonata in E Flat Major, Op. 63-IV. Grave - Allegro Moderato\u003c\/li\u003e\n\u003cli\u003eViola Sonata in B minor, Op. 60A-I. Allegro Con Brio\u003c\/li\u003e\n\u003cli\u003eViola Sonata in B minor, Op. 60A-II. Adagio Misterioso\u003c\/li\u003e\n\u003cli\u003eViola Sonata in B minor, Op. 60A-III. Scherzando - Dolce\u003c\/li\u003e\n\u003cli\u003eViola Sonata in B minor, Op. 60A-IV. Grave\u003c\/li\u003e\n\u003cli\u003eNotturno in D Major for Piano Trio, Op. 19, Cantabile\u003c\/li\u003e\n\u003cli\u003eSonata for Horn and Piano in D minor, Op. 54-I. Andante\u003c\/li\u003e\n\u003cli\u003eSonata for Horn and Piano in D minor, Op. 54-II. Scherzo: Allegretto\u003c\/li\u003e\n\u003cli\u003eSonata for Horn and Piano in D minor, Op. 54-III. Adagio\u003c\/li\u003e\n\u003cli\u003eSonata for Horn and Piano in D minor, Op. 54-IV. Grave - Allegro Con Brio\u003c\/li\u003e\n\u003cli\u003eSonata for Cello and Piano in C Sharp minor, Op. 44-I. Allegro\u003c\/li\u003e\n\u003cli\u003eSonata for Cello and Piano in C Sharp minor, Op. 44-II. Scherzando\u003c\/li\u003e\n\u003cli\u003eSonata for Cello and Piano in C Sharp minor, Op. 44-III. Cantabile\u003c\/li\u003e\n\u003cli\u003eSonata for Cello and Piano in C Sharp minor, Op. 44-IV. Agitato\u003c\/li\u003e\n\u003cli\u003eSonata for Oboe and Piano in E Flat minor, Op. 50-I. Ruhig\u003c\/li\u003e\n\u003cli\u003eSonata for Oboe and Piano in E Flat minor, Op. 50-II. Lebhaft\u003c\/li\u003e\n\u003cli\u003eSonata for Oboe and Piano in E Flat minor, Op. 50-III. Sehr Innig\u003c\/li\u003e\n\u003cli\u003eSonata for Oboe and Piano in E Flat minor, Op. 50-IV. Bewegt\u003c\/li\u003e\n\u003cli\u003eSonata for Viola and Piano in F Sharp minor, Op. 60A-I. Andante\u003c\/li\u003e\n\u003cli\u003eSonata for Viola and Piano in F Sharp minor, Op. 60A-II. Scherzo\u003c\/li\u003e\n\u003cli\u003eString Quartet in B minor, Op. 40-I. Allegro\u003c\/li\u003e\n\u003cli\u003eString Quartet in B minor, Op. 40-II. Scherzando\u003c\/li\u003e\n\u003cli\u003eString Quartet in B minor, Op. 40-III. Lento\u003c\/li\u003e\n\u003cli\u003eString Quartet in B minor, Op. 40-IV. 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Renowned for their virtuosictechnical demands and psychological depth, the sonatas are considered a cornerstone of the 20th-century piano repertoire. The famous \"War Sonatas\" (Nos. 6, 7, and 8) are among his most significant and powerful works.Acclaimed pianist Carlo Grante is celebrated for his vast repertoire, commanding technique, and scholarly interpretations. A prolific recording artist, he is particularly renowned for making the first-ever complete recordingof Domenico Scarlatti's keyboard sonatas performed by a single pianist. In addition to Scarlatti, his recordings cover a vast spectrum of composers, from established masters like Mozart, Chopin, Liszt, and Brahms to lesser known composers and contemporary figures like Busoni and Godowsky. Many contemporary composers have dedicated works to Grante, including Bruce Adolphe (Chopin Dreams), Roman Vlad (Opus Triplex), and Michael Finnissy.Praised for his technical mastery and profound musicianship, Fabio Luisi, the former Principal Conductor of the Metropolitan Opera, described Carlo Grante as \"one of the most astonishing artists I have ever known and worked with.\" Vienna's Die Presse dubbed him \"a knight of the piano, without blemish and without fear.\"\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 017685131127\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Music \u0026amp; Arts Program\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.18.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\u003c\/div\u003e","brand":"Music \u0026 Arts Program","offers":[{"title":"Default Title","offer_id":46213210472644,"sku":"017685131127","price":33.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0711\/9336\/2628\/files\/4469939-3473489.jpg?v=1780627149"},{"product_id":"pre-order-franziska-fleischanderl-solo-un-salterio-cd","title":"Franziska Fleischanderl - Solo Un Salterio [CD]","description":"\u003cp\u003eFranziska Fleischanderl calls her new CD solo un salterio - just a salterio. This title is not just an understatement, because Franziska Fleischanderl is quite simply THE salterio specialist worldwide. She has devoted herself entirely to her instrument, written a doctoral thesis on the salterio, discovered many works for the instrument in archives and researched historical playing techniques. The title also refers to the instrumentation: while the salterio is known today only as an accompanying or continuo instrument, Franziska Fleischanderl shows that the instrument was widely used and played in aristocratic and clerical circles in the 17th century. Here, for the first time, she presents an entire CD programme of works for solo salterio, allowing her instrument to shine in many colours. She plucks it with her fingers, with special plectrums, and strikes it with various small hammers, a compendium of playing techniques that she has brought back to life through her research. For the listener, this creates a sensual, multi-coloured world of sound with enchanting melodies full of lightness.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 4011254260016\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Note One\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.12.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\u003c\/div\u003e","brand":"Note One","offers":[{"title":"Default Title","offer_id":46213210865860,"sku":"4011254260016","price":19.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0711\/9336\/2628\/files\/4484371-3505271.jpg?v=1780627150"},{"product_id":"pre-order-giuliano-carmignola-vivaldi-100-13-violin-cons-cd","title":"Giuliano Carmignola - Vivaldi 100 - 13 Violin Cons [CD]","description":"\u003cp\u003e\"Ask 100 people and you'll know 100 things.\" Talking about numbers in Vivaldi's work is mind-boggling! 96 operas, dozens of cantatas and sacred pieces, over 600 instrumental pieces, including 230 violin concertos. One movement per day over a 40-year career... With this recording, Giuliano Carmignola reaches the milestone of 100 violin concertos for the first time in the history of recordings! 13 new compositions reveal the Treviso virtuoso's incomparable affinity with this repertoire of inexhaustible charm.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eConcerto for Violin in G major, RV 307~I. Allegro molto\u003c\/li\u003e\n\u003cli\u003eConcerto for Violin in G major, RV 307~II. Adagio\u003c\/li\u003e\n\u003cli\u003eConcerto for Violin in G major, RV 307~III. Allegro\u003c\/li\u003e\n\u003cli\u003eConcerto for Violin in F major, RV 282~I. Allegro poco\u003c\/li\u003e\n\u003cli\u003eConcerto for Violin in F major, RV 282~II. Largo\u003c\/li\u003e\n\u003cli\u003eConcerto for Violin in F major, RV 282~III. Allegro\u003c\/li\u003e\n\u003cli\u003eConcerto for Two Violins in G minor, RV 517~I. Allegro\u003c\/li\u003e\n\u003cli\u003eConcerto for Two Violins in G minor, RV 517~II. Andante\u003c\/li\u003e\n\u003cli\u003eConcerto for Two Violins in G minor, RV 517~III. [No tempo marking]\u003c\/li\u003e\n\u003cli\u003eConcerto for Violin in B-flat major, RV 369~I. Allegro ma poco\u003c\/li\u003e\n\u003cli\u003eConcerto for Violin in B-flat major, RV 369~II. Largo\u003c\/li\u003e\n\u003cli\u003eConcerto for Violin in B-flat major, RV 369~III. Allegro\u003c\/li\u003e\n\u003cli\u003eConcerto for Violin in D minor, RV 241~I. Allegro\u003c\/li\u003e\n\u003cli\u003eConcerto for Violin in D minor, RV 241~II. Grave\u003c\/li\u003e\n\u003cli\u003eConcerto for Violin in D minor, RV 241~III. Allegro\u003c\/li\u003e\n\u003cli\u003eConcerto for Two Violins in B-flat major, RV 525~I. Allegro\u003c\/li\u003e\n\u003cli\u003eConcerto for Two Violins in B-flat major, RV 525~II. 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His playing combines clarity and refinement with passion and a fearless willingness to take risks - qualities that made him the winner of the 2021 Geza Anda Competition and which also characterize this album.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 4262353970966\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Prospero Classical\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.12.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\u003c\/div\u003e","brand":"Prospero Classical","offers":[{"title":"Default Title","offer_id":46213218697412,"sku":"4262353970966","price":20.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0711\/9336\/2628\/files\/4484342-3505423.jpg?v=1780627184"},{"product_id":"pre-order-utrecht-string-quartet-martin-chamber-music-cd","title":"Utrecht String Quartet - Martin: Chamber Music [CD]","description":"\u003cp\u003eFrank Martin's chamber music oeuvre may not take up much space on the shelf, yet it spans an entire artistic life. Together with pianist Ilona Timchenko, the Utrecht String Quartet dedicate themselves to three key works that impressively bring together tradition and modernity in the 20th century.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 760623238821\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Mdg\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 8.21.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\u003c\/div\u003e","brand":"Mdg","offers":[{"title":"Default Title","offer_id":46213218795716,"sku":"760623238821","price":23.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0711\/9336\/2628\/files\/4474291-3493607.jpg?v=1780627184"},{"product_id":"pre-order-clarissa-bevilacqua-mozartiana-cd","title":"Clarissa Bevilacqua - Mozartiana [CD]","description":"\u003cp\u003eWith her new album \"Mozartiana,\" award-winning violinist Clarissa Bevilacqua presents a fascinating musical tribute and at the same time opens up new perspectives on a timeless genius.Clarissa Bevilacqua, who studied at the renowned Mozarteum Salzburg and won both first prize and the audience prize at the Mozart International Competition 2020, combines past and present in a captivating musical dialogue on \"Mozartiana.\"In addition to masterpieces such as F. X. Mozart's Sonata for Violin and Piano, Beethoven's 12 Variations on \"Le Nozze di Figaro\" and Schnittke's Moz-Art for ensemble, the album features contemporary compositions written especially for this album by Felix Willeitner, Sophia Jani, Jorge Bosso and Giovanni Sollima - all of which are world premiere recordings.As founder and artistic director of DYNAMIKfest Salzburg, Bevilacqua once again demonstrates her passionate commitment to combining classical and modern music. Mozartiana is not only a tribute to Mozart-it is a living commitment to artistic curiosity, diversity, and musical dialogue across the centuries.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 885470043449\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Berlin Classics\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.12.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\u003c\/div\u003e","brand":"Berlin Classics","offers":[{"title":"Default Title","offer_id":46213218861252,"sku":"885470043449","price":19.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0711\/9336\/2628\/files\/4484255-3505503.jpg?v=1780627184"},{"product_id":"pre-order-bruce-levingston-elastic-heart-of-youth-cd","title":"Bruce Levingston - Elastic Heart Of Youth [CD]","description":"\u003cp\u003eThe Elastic Heart of YouthPreface - Notes of RenewalIf we understood the world, we would realize that there is a logic of harmony underlying it's manifold apparent dissonances. - Jean Sibelius, In 1907, in conversation with Gustav Mahler.Originating in distinct musical dialects - Baroque, Classical, Nordic, Slavic, French, and contemporary - the works recorded here are bound together by a vivid, elastic heart: a profound spirit of vitality that endures through tension and release, stillness and motion, loss and restoration. Beneath their differing voices beats a kindred pulse shared with the natural world.Sibelius's Le Sapin evokes the spruce's calm and poise, it's hushed sonorities suggesting their own logic of repose. Janacek's Sonata 1.X.1905 bears witness - urgent, searching, unafraid-it's broken arcs invoking the dissonances of modernity's estrangement from nature and the fragile openings through which rebirth begins. Debussy's etude pour les arpeges composes and La fille aux cheveux de lin shimmer with shifting light and color, while Clair de lune unfolds in the moon's tender chiaroscuro, a meditation of light, shadow, and serenity. Mozart's Fantasy in D minor restores grace and clarity not by denying shadow, but by transfiguring it; it's improvisatory nature finds form through discovery. Scarlatti's sonatas dance with quick, inventive pulse: sunlight on stone, castanets crossing through the air. Their brilliance is youthful joy tempered by seasoned experience.Gross's Solace turns inward towards repose. Here the heart practices a different virtuosity - the courage to be calm, to let resonance and renewal begin. Even in this quietude, her music recalls nature's adaptability, it's patient recalibrations in the face of change. Missy Mazzoli's The Elastic Heart of Youth gathers all these energies into a radiant celebration of life. It's tensile rhythms and glowing harmonies echo the supple strength of the living world-the capacity to bend, to adapt, to begin again.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e5 Pieces, Op. 75 (\"The Trees\")~No. 5 Le Sapin\u003c\/li\u003e\n\u003cli\u003eSonata 1.X.1905, \"From the Street\"~I. Presentiment\u003c\/li\u003e\n\u003cli\u003eSonata 1.X.1905, \"From the Street\"~II. Death\u003c\/li\u003e\n\u003cli\u003eSolace\u003c\/li\u003e\n\u003cli\u003eÃ‰tude pour les arpÃ¨ges composÃ©s\u003c\/li\u003e\n\u003cli\u003ePrÃ©lude: La fille aux cheveux de lin\u003c\/li\u003e\n\u003cli\u003eClair de lune from Suite Bergamasque\u003c\/li\u003e\n\u003cli\u003eFantasy in D minor, K. 397\u003c\/li\u003e\n\u003cli\u003eSonata in D minor, K. 213\u003c\/li\u003e\n\u003cli\u003eSonata in A minor, K. 54\u003c\/li\u003e\n\u003cli\u003eElastic Heart of Youth\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 053479228901\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Sono Luminus\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.12.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Sono Luminus","offers":[{"title":"Default Title","offer_id":46213219025092,"sku":"053479228901","price":16.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0711\/9336\/2628\/files\/4488842-3528232.jpg?v=1780627185"},{"product_id":"pre-order-marina-tarasova-french-cello-sons-vol-4-magnard-vierne-cd","title":"Marina Tarasova - French Cello Sons Vol. 4 - Magnard \u0026 Vierne [CD]","description":"\u003cp\u003eAlbÃ©ric Magnard and Louis Vierne: Two French Masters of the Cello Sonata. The early years of the twentieth century were a time of transition in French music. While impressionism was gaining ground through Debussy and Ravel, some composers remained faithful to the ideals of structural clarity and expressive depth inherited from the Romantic tradition. Among these figures were AlbÃ©ric Magnard and Louis Vierne, two artists whose sonatas for cello and piano, both composed in 1910, stand as monuments of French chamber music and offer contrasting yet complementary visions of their era. AlbÃ©ric Magnard, born in Paris in 1865, was a pupil of Dubois, Guiraud, Massenet, and D'Indy at the Paris Conservatoire, and he frequented the circle of CÃ©sar Franck. In 1896 he became a teacher at Paris's Schola Cantorum. Then, from 1904, he settled in the countryside on his estate at Manoir des Fontaines in Baron (Oise), where he died in 1914, shot by German troops while attempting to defend the property. His last chamber work, the Sonata for Cello and Piano Op.?20, is among his most significant compositions. Composed between 1908 and 1910, it is structured in four movements like all his chamber works, betraying his devotion to German contemporaries and in opposition to French impressionism. Louis Vierne (1870-1937), having been taught by CÃ©sar Franck and Widor, became a famous organist. His most important post was that of Notre Dame in Paris, where he was celebrated for his improvisations. As a composer, he indulged in the post-Wagnerian language of his era: highly complicated counterpoint, dense, chromatic harmonies, and an exalted, spiritual atmosphere characterise his works. Vierne's Sonata for Cello and Piano in B minor Op.?27, composed in 1910, offers a fascinating counterpoint to Magnard's work. While Magnard emphasizes formal clarity, Vierne indulges in lyrical expansiveness and harmonic daring. This is the 4th instalment of the \"French Cello Sonatas,\" played by Marina Tarasova and Ivan Sokolov. Their earlier issues have won uniform enthusiastic critical acclaim. The BoÃ«llmann and Widor sonatas merit the very best performances they can possibly have, and in the hands of Marina Tarasova and Ivan Sokolov, they receive them. Tarasova's full-throated, richly coloured cello tone sings with glorious voice, while Sokolov's piano serves as continuo in an elaborate counterpoint for and against the cello, always in perfect harmonization.\" (Fanfare)\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSonata for Cello and Piano in a Op. 20-I. Sans Lenteur\u003c\/li\u003e\n\u003cli\u003eSonata for Cello and Piano in a Op. 20-II. Sans Faiblir\u003c\/li\u003e\n\u003cli\u003eSonata for Cello and Piano in a Op. 20-III. FunÃ¨bre\u003c\/li\u003e\n\u003cli\u003eSonata for Cello and Piano in a Op. 20-IV. Rondement\u003c\/li\u003e\n\u003cli\u003eSonata for Cello and Piano in B minor Op. 27-Poco Lento - Allegro Moderato\u003c\/li\u003e\n\u003cli\u003eSonata for Cello and Piano in B minor Op. 27-Molto Largamente (F# Minor)\u003c\/li\u003e\n\u003cli\u003eSonata for Cello and Piano in B minor Op. 27-Risoluto - Allegro Molto\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 5063758972246\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Brilliant Classics\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 7.31.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Brilliant Classics","offers":[{"title":"Default Title","offer_id":46213219582148,"sku":"5063758972246","price":14.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0711\/9336\/2628\/files\/4495224-3532874.jpg?v=1780627187"},{"product_id":"pre-order-ensemble-elyma-nuevo-mundo-baroque-music-in-latin-america-cd","title":"Ensemble Elyma - Nuevo Mundo - Baroque Music In Latin America [CD]","description":"\u003cp\u003eThis CD box set allows us to relive that legendary Bayreuth Festival year with recordings of Tannhauser from July 22, Die Walkure from July 25, Lohengrin from August 4, and Parsifal from August 5, 1954. For the rapidly expanding loyal audience of \"New Bayreuth, \" which had been establishing itself with remarkable speed since 1951, the year 1954 brought some unexpected surprises. A singer named Theo Adam, previously known only for minor roles, stepped in to replace the towering bass legends Ludwig Weber and Josef Greindl as Fasolt and King Heinrich. Meanwhile, a choir member named Franz Crass was promoted to the role of the Fourth Nobleman in Lohengrin, unaware that just five years later, he would alternate as King Heinrich alongside his already more established young colleague. Equally surprising was Greindl's debut as Gurnemanz in Bayreuth, filling in for Ludwig Weber.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 4011254260030\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Note One\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.12.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\u003c\/div\u003e","brand":"Note One","offers":[{"title":"Default Title","offer_id":46213219844292,"sku":"4011254260030","price":60.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0711\/9336\/2628\/files\/4484372-3505392.jpg?v=1780627188"},{"product_id":"pre-order-de-fernando-luca-tapray-harpsichord-works-cd","title":"De Fernando Luca - Tapray: Harpsichord Works [CD]","description":"\u003cp\u003eWith this new recording, Fernando de Luca fills a significant gap in the catalogue of French Baroque music. While sonatas of Tapray have been recorded on a modern piano, there is no recording of them on the harpsichord; all the more significant because Tapray stands as a pivotal figure in the history of French keyboard music, positioned at the crossroads between the harpsichord and the fortepiano.Born in 1738, Jean-FranÃ§ois Tapray worked in Paris, BesanÃ§on, and elsewhere as an organist, until ill health forced his retirement in 1786. However, he continued to compose, at least until the turn of the century, and died in 1822. From 1773 onwards, he had embraced the new technology of the fortepiano and published a Keyboard Method (Op. 25) for the instrument. All the same, he continued to write specifically for the harpsichord too, such as a Symphony Op. 12 for harpsichord and orchestra, from 1780. Thus his works, such as the sonatas presented here, reflect both the culmination and the last flowering of the harpsichord tradition in France.The Variations on Les Sauvages is often cited as one of the last great virtuoso works for the harpsichord in France. Tapray's piece is both a transcription and a reworking of a famous air by Rameau, taken from his opÃ©ra-ballet Les Indes galantes (1735). The four variations embrace a diverse array of styles, from the cascades of the modern galant style to the unstable rhythms of the French Baroque, and finally a synthesis of both German and Italian style in the last variation.In this sense, the Variations do not so much look back on the Baroque era as absorb it's style within a rapidly evolving culture. The sonatas, likewise, capture a galant aesthetic with their alternation between spirited Allegro movements, graceful airs, and highly stylized dances. For this recording, Fernando de Luca has chosen a harpsichord modelled after a Blanchet instrument of 1754, facilitating a precise articulation, expressive touch, and dynamic responsiveness well-suited to Tapray's music.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 5063758975636\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Brilliant Classics\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 7.17.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\u003c\/div\u003e","brand":"Brilliant Classics","offers":[{"title":"Default Title","offer_id":46213219909828,"sku":"5063758975636","price":12.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0711\/9336\/2628\/files\/4495226-3532878.jpg?v=1780627188"},{"product_id":"pre-order-david-oistrakh-great-violin-concertos-by-oistrakh-cd","title":"Pre-Order: David Oistrakh - Great Violin Concertos By Oistrakh [CD]","description":"\u003cp\u003e\"For many, Oistrakh remains the violinistic ideal. His winning combination of tonal sumptuousness, clear interpretative focus, musical humility and effortless technical poise across a broad repertoire remains unmatched to this day. When Oistrakh played, one felt there was nothing coming between the composer and the listener... He combined fingers of steel with a heart of gold.\" The Strad magazine\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eViolin Concerto in D Major, Op. 61: I. Allegro Ma Non Troppo (Cadenza By Kreisler)\u003c\/li\u003e\n\u003cli\u003eViolin Concerto in D Major, Op. 61: II. Larghetto (Cadenza By Kreisler)\u003c\/li\u003e\n\u003cli\u003eViolin Concerto in D Major, Op. 61: III. Rondo. Allegro (Cadenza By Kreisler)\u003c\/li\u003e\n\u003cli\u003eTriple Concerto in C Major, Op. 56: I. Allegro\u003c\/li\u003e\n\u003cli\u003eTriple Concerto in C Major, Op. 56: II. Largo\u003c\/li\u003e\n\u003cli\u003eTriple Concerto in C Major, Op. 56: III. Rondo Alla Polacca\u003c\/li\u003e\n\u003cli\u003eViolin Concerto in D Major, Op. 77: I. Allegro Non Troppo (Cadenza By J. Joachim)\u003c\/li\u003e\n\u003cli\u003eViolin Concerto in D Major, Op. 77: II. Adagio\u003c\/li\u003e\n\u003cli\u003eViolin Concerto in D Major, Op. 77: III. Allegro Giocoso, Ma Non Troppo Vivace\u003c\/li\u003e\n\u003cli\u003eDouble Concerto for Violin and Cello in a Minor, Op. 102: I. Allegro\u003c\/li\u003e\n\u003cli\u003eDouble Concerto for Violin and Cello in a Minor, Op. 102: II. Andante\u003c\/li\u003e\n\u003cli\u003eDouble Concerto for Violin and Cello in a Minor, Op. 102: III. Vivace Non Troppo\u003c\/li\u003e\n\u003cli\u003eAdagio for Violin and Orchestra in E Major, K. 261\u003c\/li\u003e\n\u003cli\u003eViolin Concerto in D minor, Op. 47: I. Allegro Moderato\u003c\/li\u003e\n\u003cli\u003eViolin Concerto in D minor, Op. 47: II. Adagio Di Molto\u003c\/li\u003e\n\u003cli\u003eViolin Concerto in D minor, Op. 47: III. Allegro Ma Non Tanto\u003c\/li\u003e\n\u003cli\u003eSymphonie Espagnole in D minor, Op. 21: I. Allegro Ma Non Troppo\u003c\/li\u003e\n\u003cli\u003eSymphonie Espagnole in D minor, Op. 21: II. Scherzando\u003c\/li\u003e\n\u003cli\u003eSymphonie Espagnole in D minor, Op. 21: III. Intermezzo\u003c\/li\u003e\n\u003cli\u003eSymphonie Espagnole in D minor, Op. 21: IV. Andante\u003c\/li\u003e\n\u003cli\u003eSymphonie Espagnole in D minor, Op. 21: V. Rondo\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 2 in D Major, K. 211: I. Allegro Moderato\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 2 in D Major, K. 211: II. Andante\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 2 in D Major, K. 211: III. Rondeau. Allegro\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 1 in G minor, Op. 26: I. Vorspiel. Allegro Moderato\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 1 in G minor, Op. 26: II. Adagio\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 1 in G minor, Op. 26: III. Finale. Allegro Energico\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 1 in B-Flat Major, K. 207: I. Allegro Moderato\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 1 in B-Flat Major, K. 207: II. Adagio\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 1 in B-Flat Major, K. 207: III. Presto\u003c\/li\u003e\n\u003cli\u003eSinfonia Concertante for Violin and Viola in E-Flat Major, K. 364: I. Allegro Maestoso\u003c\/li\u003e\n\u003cli\u003eSinfonia Concertante for Violin and Viola in E-Flat Major, K. 364: II. Andante\u003c\/li\u003e\n\u003cli\u003eSinfonia Concertante for Violin and Viola in E-Flat Major, K. 364: III. Presto\u003c\/li\u003e\n\u003cli\u003eRondo for Violin and Orchestra in B-Flat Major, K. 269\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 3 in G Major, K. 216: I. Allegro\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 3 in G Major, K. 216: II. Adagio\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 3 in G Major, K. 216: III. Rondeau. Allegro\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 4 in D Major, K. 218: I. Allegro (Cadenza By F. David)\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 4 in D Major, K. 218: II. Andante Cantabile (Cadenza By F. David)\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 4 in D Major, K. 218: III. Rondeau - Andantino Grazioso - Allegro Ma Non Troppo (Cadenza By F. David)\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 5 in a Major, K. 219 \"Turkish\": I. Allegro Aperto (Cadenza By Joachim)\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 5 in a Major, K. 219 \"Turkish\": II. Adagio (Cadenza By Joachim)\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 5 in a Major, K. 219 \"Turkish\": III. Rondeau. Tempo Di Menuetto - Allegro (Cadenza By Joachim)\u003c\/li\u003e\n\u003cli\u003eRondo for Violin and Orchestra in C Major, K. 373\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 1 in D Major, Op. 19: I. Andantino\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 1 in D Major, Op. 19: II. Scherzo. Vivacissimo\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 1 in D Major, Op. 19: III. Moderato\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 2 in G minor, Op. 63: I. Allegro Moderato\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 2 in G minor, Op. 63: II. Andante Assai\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 2 in G minor, Op. 63: III. Allegro Ben Marcato\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 1 in a Minor, Op. 99: I. Nocturne. Moderato\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 1 in a Minor, Op. 99: II. Scherzo. Allegro\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 1 in a Minor, Op. 99: III. Passacaglia. Andante - Cadenza\u003c\/li\u003e\n\u003cli\u003eViolin Concerto No. 1 in a Minor, Op. 99: IV. Burlesque. 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Yet his own compositions reveal a refined musical voice shaped by late-Romantic lyricism, classical balance, and Italian melodic elegance. Central to Longo's style is a clear, singing melodic line, often entrusted to the violin while the piano provides a harmonically rich and supportive texture. His works frequently employ a warm tonal language, with occasional excursions into modal or chromatic inflections that reflect the broader European trends of his time. Rather than pursuing virtuosic display for it's own sake, Longo typically emphasizes expressive nuance and poised interaction between the two instruments. Among his most representative compositions for this ensemble are his character pieces and salon-style works, which combine lyrical charm with formal clarity. These include graceful miniatures such as the Romanza, shaped by a cantabile violin line and elegantly crafted accompaniment. In these pieces, Longo demonstrates his gift for shaping compact musical forms that evoke atmosphere and emotional depth without excess. His more expansive works-such as the larger-scale multi-movement suites-display a broader architectural sense, often organizing thematic materials through subtle variation and motivic development. Played by the Gran Duo Italiano, Mauro Tortorelli (violin) and Angela Meluso (piano), whose previous recordings for Brilliant Classics (Saint-SaÃ«ns, Milhaud, Castelnuovo-Tedesco, Scalero, Santoliquido, Caetani, Fano) were highly praised in the international press. \"Tortorelli is equally impressive on viola and on violin... On both instruments he spins a flawless, silky line with perfect intonation.\" (Fanfare, May 2017 - Milhaud). \"This release is not just for violinists and lovers of violin music; it's for everyone. 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[CD]","description":"\u003cp\u003eA first-ever complete recording for collections of Baroque chamber music which capture the elegance, formality, and lively culture of London in the 1710s.London in the early 18th century was a city animated by music: Italian opera dominated the newly built theatres, French-style dances brought refinement to the salons, and the English cathedral tradition had fully adapted to a native style of text setting. It was from within this vibrant soundscape that William Babell (c. 1690-1723) emerged-an English musician of remarkable versatility, whose keyboard brilliance and expressive chamber works captured the spirit of his place and time.Babell's first teacher was his father, a bassoonist in the orchestra of the Drury Lane Theatre. He rapidly followed in his father's footsteps, playing in the private band of King George I, and was appointed organist of All Hallows, Bread Street, a position he held until his untimely death. His reputation as a keyboard virtuoso was widespread; Johann Mattheson extolled his organ playing as even superior to Handel's.As for his own music, it's principal surviving remnants are these two collections of sonatas dating from 1716 and 1720. They were conceived for oboe or violin with continuo; the musicians of Cappella Musicale Enrico Stuart have taken a fairly liberal approach, by sharing the melody part in the different sonatas between violin, flute, and oboe, which are supported by a rich continuo group of bassoon, cello, and harpsichord or organ. Not the least attractive aspect of this solution is it's variety across the sequence of 24 sonatas.The influence of Arcangelo Corelli-the Roman violinist-composer whose Op. 5 sonatas (published in 1700) shaped much of 18th-century chamber style across Europe-is evident in Babell's approach. Babell's sonata structure-especially the slow-fast alternation, proportions of movements, and rhythmic gesture-bears the stamp of this Corellian model, though with English lightness and a flair for ornamentation. 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In 2013, John Speight wrote his Soliloquy (track 7 and 8) at my request. Two more recent commissions are on the album, both from composers who play the violin: Fragile Stillness by Lilja Maria asmundsdottir and Aria by Maria Huld Markan. Iceland has a long tradition of violin playing and according to folklore every farmer in certain valleys up north was a fiddler. Ea Fantasia (track 4), my own composition, is inspired by the opening track Alia Fantasia by Nicola Matteis Jr. He was the London-born son of the Italian composer Nicola Matteis, who wrote Ayers and Grounds. Nicola Junior was a violinist like his father and lived in Vienna, where he composed numerous ballets for the imperial opera. His bariolage (arpeggios over four strings) remind me of the opening of Fratres by Arvo Part and Bach's Chaconne-key works in the violin repertoire-both of which have been a great inspiration to me. In Fragile Stillness (track 2), Lilja Maria asmundsdottir experiments with textures. Or as she puts it: \"The piece is inspired by a weather condition called froststillur. It is characterized by an intense calmness where there is no wind and a crisp, frozen atmosphere.Karolina wrote Meditation (track 3) in 1996 for violinist Hlif Sigurjonsdottir, who premiered the piece in June 1997. Meditation is in one movement, built on ideas which change and develop, and the composer describes it as \"variations without a theme.Aria (track 5) by Maria Huld Markan was written for me in 2023. Her solo piece is written under the influence of Maria Callas and her romanticism and lontano as she sings Puccini. Maria is reflecting on the concept of the genius, and motifs are flowing from all the fountains contemplating the romantic violin repertoire. On his Adagio (track 6), composer Tryggvi Baldvinsson writes: \"This small Adagio can be seen as a short play in which three distinct characters appear. Each has it's own traits, it's own personality. The encounter between these characters is bound to have a profound and lasting impact on them. As for the actual course of events, I leave that entirely to the listener's imagination. The piece was composed for Rut Ingolfsdottir, who premiered it in 1997.John Speight is an English-Icelandic singer and composer I got to know through working with the Reykjavik Chamber Orchestra, playing and recording his works. He wrote Soliloquy (track 7 and 8) in 2012 and it is the only piece on the album in two movements. The first movement is slow and thoughtful, while the second is crazy and furious. Tranquility (track 10) by Sveinn Ludvik Bjornsson is possibly the shortest piece I have ever played. The story of it is longer than the piece itself-and too good to omit. Sveinn Ludvik, who is visually impaired, was renting a studio in an old banana storage in Brautarholt, Reykjavik. To enter his studio he had to walk through the studio of artist Helgi Valgeirsson. Above the door there was a painting by Helgi which inspired Sveinn Ludvik deeply; he had the sense it was very somber in it's mood-a naked woman with her back turned. Moved by the scene he wrote Tranquility. Later, when discussing the piece with Helgi and admiring the tragic impact of the naked woman in the picture, Sveinn was shocked to discover that the painting, in fact, was of bananas and oranges.Veronique Vaka Jacques, a Canadian-Icelandic composer and trained classical cellist, grounds her work in the geology and topography of Iceland. In Ofdune (track 9), a map of North Iceland serves as groundwork, with the geographical details of a descending river abstractly translated into the work's time progression, using the river's path through hills and valleys as a loose blueprint. This concept of descent is echoed in the title, Ofdune, which is derived from the Old English meaning \"downwards\" or \"off the hill\".Jon Nordal's Hvert orstutt spor (Each Tiny Step, track 11) is from the play Silfurtunglid by Icelandic Nobel Prize-winning author Halldor Laxness. This is a famous Icelandic song, here in my gospel music influenced arrangement for solo violin. 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