{"title":"Dance","description":null,"products":[{"product_id":"pre-order-amber-this-is-your-night-30th-anniversary-deluxe-edition-vintage-bottle-green","title":"Amber - This Is Your Night (30th Anniversary Deluxe Edition) [Vintage Bottle Green]","description":"\u003cp\u003eReleased in 1996, Amber's \u003cem data-start=\"26\" data-end=\"46\"\u003eThis Is Your Night\u003c\/em\u003e helped define the sound of club music's golden era. It delivered one of the decade's most enduring anthems in the title track, which became a Top 30 hit on the Billboard Hot 100 and a No. 1 smash on the dance chart, later earning cult status thanks to its unforgettable appearance in \u003cem data-start=\"331\" data-end=\"355\"\u003eA Night at the Roxbury\u003c\/em\u003e. Tracks like \"One More Night\" and \"Colour of Love\" expanded her dominance on dance floors worldwide, each becoming major club hits and solidifying her position as one of the era's defining voices. 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He also produced some of his best remixes to date including Thakzin's Don't Let Me See, Blaze's Wonderland and Detroit Rising's Rocket Love.It's always a good day to announce a new Jimpster EP on Freerange and with two captivating originals plus a stunning Atjazz remix you're in for a treat! You're My Ecstasy sets the tone with Jimpster's trademark deep Rhodes pads, punchy bassline and shuffling classic house drum groove. He once again manages to strike a great balance between soulful, musical, warm and just a touch moody.Next up we have The Passion which builds a deep and jazzy mood around a 4 bar piano progression whilst the sampled interviewee gives his insight into how he maintains his passion for music. London based trumpet player King Crowney adds some lovely horn parts, emphasising the jazz feel to compliment the spoken word.Atjazz gets well and truly stuck in on his remix of The Passion. Reportedly completed in just two studio sessions the hardest working man in deep house (as Jimpster calls him) brings his well-loved deft touch introducing an beautifully syncopated bassline and classic Atjazz drums making for a clubby interpretation for the deep, discerning dance floors.Tracklisting:A1. You're My Ecstacy A2. The Passion (ft. King Crowney) B1. The Passion (ft. King Crowney) (Atjazz Remix)\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eA\u003c\/li\u003e\n\u003cli\u003eYou're My Ecstasy\u003c\/li\u003e\n\u003cli\u003eA\u003c\/li\u003e\n\u003cli\u003ethe Passion (FT. King Crowney)\u003c\/li\u003e\n\u003cli\u003eB\u003c\/li\u003e\n\u003cli\u003ethe Passion (FT. 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With releases on Madhouse, Toy Tonics, Neo Vinyl, and Traxx Underground, as well as remixes for the likes of Waajeed, Tender Games, and Joey Negro, Black Loops continues to be in high demand and has resulted in a packed DJ schedule taking him from South Africa to Australia, from the US to Asia as well as playing regularly in Europe and his home city of Berlin.For his 'Something Special' release Black Loops treated us to three original tracks (with a fourth added for the digital package, now on the 2026 vinyl repress) which will pleased his regular followers whilst showing a development to his sound. His trademark shuffling beats, warm bouncing basslines and analog pads are all present and correct. Tracks that feel deceptively simple and minimal enough to sound lovely on big sound systems, but which also offer enough depth and musicality to touch the soul and connect with on a deeper level. But... we can also hear some fresh sound design coming into play, punchy FM synths cutting through the mix, some more delicate melodies and rolling arrangements which unfold gently and draw you into their warm confines.Tracklisting:A1. Fresh 16A2. Something SpecialB1. The MelodyB2. 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She follows her 2025 appearance on the House of Rekids mix series, and at the label's Panorama Bar showcase in Berlin, before closing the year remixing Radio Slave \u0026amp; Kameelah Waheed's 'All Rize'. Known for championing women in the music industry, particularly Detroit DJs and producers, Minx recruits Florida-native, two-time Grammy Award-winning singer-songwriter Kendra Foster for a larger-than-life, jacking title cut. Robust drums, bright synth stabs, and Foster's uplifting vocal bring the energy before Minx's 'You Can' features an inspirational spoken word vocal, while low-slung rhythm and a deep, crawling bassline drive the track forward. DJ Minx has been a central figure in Detroit's musical history since the 90s. Minx has hosted radio shows on WGPR and CJAM, held a residency at Club Motor, and performed at every edition of Movement since 2000. Her contributions have been recognized with the Spirit of Detroit Award and honors from Mixmag and Time Out. 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His deftly curated 'On My Mind' EP delivers five high-impact house cuts, each crafted with the depth, melody, and groove that have made him a favorite on the global scene.A long-time friend of label head Chris Stussy, Sidney brings a wealth of experience and dancefloor know-how to his UTSOFF debut. The title track, 'On My Mind', is a magnetic journey through skippy rhythms, silky melodies, and irresistible soulful vocal hooks - a track that builds and pulses with undeniable dancefloor buzz and appeal. From the cosmic propulsion of 'Astral Express' to the vibrant and glossy textures of 'The Missing Link', the EP traverses a spectrum of moods, keeping things dynamic yet always rooted in physical grooves. 'Till The Early Mornin' delivers a winding late-hours voyage guided by an immersive flow, while closer 'Cardinal Virtue' ties the package together with shimmering layers, weighty low-ends, and an abundance of dancefloor-ready energy.While this marks Sidney Charles' first appearance on Up The Stuss, the connection runs deep. Having known Chris for years, the two have shared a musical dialogue built on mutual respect, late-night sessions, and a shared obsession with house music's edge and ever-changing experimentation. The 'On My Mind' EP captures that understanding perfectly; a release that feels both intimately personal and engineered for maximum club impact, where the lines between friendship, inspiration, and sheer dancefloor bliss blur effortlessly.Tracklisting:A1. On My Mind A2. The Missing Link B1. Astral Express B2. 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We gave the tune a Californian psychedelic twist with conga laden drums, a moody synth, low pulsing 303 patterns + Benjamin Zephaniah's patois call to 'Move the Body Rhythmwize!'The first PCH releases had dropped Worldwide to International acclaim from DJ's far and wide across the Globe with support in London, Paris \u0026amp; New York. However the local scene here in L.A that preached 'Love, inclusion \u0026amp; Unity' was anything but that. L.A at that time was very tribal \u0026amp; divided up into 3 camps. If you weren't affiliated with any of them (aka independent) then you were pretty much locked out of getting any kind of gig support or the Dj's from those camps actually playing the music.The local feedback from Dj's was that what we were making wasn't 'house,' but 'Techno' which was absurd to me. 'Bring Down the Walls' was a mantra to 'move the body' and in doing so 'bring down the walls' of separation not just in L.A but throughout society in general. Thank goodness for support from people like Terry Francis, Eddie Richards, DJ Deep, \u0026amp; Philly Stalwart King Britt.After years of copies going for upward of $100+ on Discogs the now freshly remastered copies by At Jazz's Martin Iveson are finally hitting the platters in 2026.Jesse Outlaw 'Let It Go'. I met Jesse at Beatnonstop Records on Melrose Ave with Miguel Placencia in the late 90's. Miguel (RIP) was a mainstay in the Underground scene and had always been very supportive of my endeavors. He had had success with a huge release on Yellow Orange and was working with Jesse under the moniker 'When Worlds Collide.' I signed 'Brighter Days' \u0026amp; 'Set you Free' from them and released the tracks on my Seductive imprint.They told me that they were making the tracks on a Sony Playstation 'Music Now' program and I was like FFS 'What's more Underground than that!?' Later Jesse gave me some of his solo work. The track 'Let it Go' was never mastered \u0026amp; only ever cut to Dub-plate and featured on my 1st PCH mix 'Pacific Coast House Sounds.' It has now been mastered by Martin Iveson and is available in all it's glory.The dreamy vocal 'You need to let it go' beckons over the top of driving percussive Latin beats and church organ which is a great compliment to the flip side of 'Bring down the Walls.' All in all two West Coast stompers now finally available remastered on PCH in Orange vinyl.Tracklisting:A. The Coastal Commission - Bring Down The WallsB. 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This marks his first full release since the highly regarded EP 'The Phoenix' on the legendary Nu Groove imprint, and follows his recent accolade of being named Traxsource Top Artist of the Year, placing at an impressive #11.With 'Bassic Rollers', Jimpster once again distills decades of dancefloor knowledge into four deeply musical club weapons. Opening the release, 'Out And About' finds Jimpster firmly in his sweet spot. Deep, rolling and effortlessly musical, the track showcases his trademark sample chops, locked-in with punchy drums and a warm, hypnotic bassline. Inspired by his recent gigs in South Africa, it's a mesmerizing late-night roller built for heads-down dancefloors and long blends. 'Heads Down' nudges the BPMs upward for a slice of classic, hypnotic deep house with a distinctly UK slant. Drawing inspiration from late '90s club culture - the kind of grooves you might have heard on a Wednesday night at Kenny and Luke's influential Space nights at Bar Rhumba - the track channels the spirit and energy of pivotal outfits such as Fresh \u0026amp; Low or Soul Capsule. Tight, bouncing drums, shuffling hi-hats and sweeping synths combine for a driving, stripped back burner. Flipping to the B-side, 'Crispy Pancakes' takes a sharp turn into mutant disco territory. A crunchy kick, tight 808 hats and driving analog percussion form the backbone, while a looped live bass sample adds the raw energy. When the drop lands, the track dives deep with arpeggiated synth lines and unmistakable Underground Resistance-style pads, delivering an uplifting and euphoric moment primed for peak-time floors. Closing out the EP, 'Far Side' lowers the tempo for a sublime slice of deep disco house. 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