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Accompanied by Danish musicians Thomas Clausen, Mads Vinding, and Svend-Erik NorregÃ¥rd, Griffin delivered a joyful night of jazz as only he could do it. This previously unreleased 6-track live recording will be released on Storyville Records on June 5, 2026, as Johnny Griffin \u0026amp; Thomas Clausen's Trio - Live in Helsingborg 1990.Griffin, who rose to prominence in the 1950s through his work with Art Blakey, Thelonious Monk, and his own explosive small groups, was widely regarded as one of the fastest and most inventive tenor saxophonists in jazz. Playing a lot at Jazzhus Montmartre in the 60's, he settled in France but continued to be in high demand in Scandinavia and all over Europe. This release continues Storyville Records' longstanding tradition of documenting major American jazz artists during their European years.Bassist Mads Vinding, a longtime collaborator, recalls the experience: \"Johnny Griffin - no one sounded like him. The sound, the ideas, the power, the timing, the energy, the sensitivity, the stamina... He made the whole band sound like one unit. (...) It was very intense and such a joy playing with him, as you can hear on this live recording from 1990. No safety net, no restrictions - just the pure pleasure of playing together, inventing things on the fly.\"Jazz historian Jan Olsson adds:\"Johnny Griffin, or The Little Giant as he was called, was a great and highly individual soloist. And I still remember from this extraordinary evening that we could hardly stop him from playing when it was time to close and say goodbye. The main reason was that he had been playing with one of the finest trios you could find in Europe at that time.\"The album features expansive performances that stretch familiar standards and Griffin originals into thrilling, unpredictable territory. On Just Friends, Griffin's tenor soars over the trio's accompaniment, moving seamlessly from lyrical passages to blistering runs. 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This newly restored double CD, recorded on October 29, 1972, captures an evening that was both musically daring and deeply personal. An evening when Corea's warmth, imagination, and virtuosity filled one of Europe's best acoustic halls.\u003c\/p\u003e\u003cp\u003eThis concert from the archives of Radio Bremen documents a defining moment: Corea was 31 years old and moved fluidly between different musical worlds. Fresh from Piano Improvisations, shortly before Return to Forever, and in search of new creative partnerships with artists such as Gary Burton and Stan Getz. This performance condenses all that energy into two captivating sets.\u003c\/p\u003e\u003cp\u003eThroughout the program, Corea transforms the grand piano into a storyteller. He expands pieces like \"Noon Song\" far beyond their studio versions, combining rhythmic fire with lyrical beauty and shifting effortlessly from romantic introspection to Latin-infused exuberance. 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An international collaboration that captures contemporary jazz at the intersection of American tradition and Nordic musical sensibility.The album features 9 tracks, balancing original compositions by Sands and Fonnesbaek with inspired reinterpretations of jazz standards and classic repertoire by Bobby Timmons, Richard Rodgers, Luiz Bonfa, and John Coltrane. Recorded in the spirit of Copenhagen's jazz tradition it presents jazz as both a living art form of the present and a dialogue with it's past, hence the title Between Then and Now.The collaboration grew from Sands' relationship with the Copenhagen jazz scene, initiated when former Montmartre musical director Christian Brorsen discovered him online and invited him to Denmark. Like earlier generations of American jazz musicians, including Ben Webster and Dexter Gordon, Sands quickly became a compelling presence in Copenhagen, where attentive listening and subtle interplay guide every performance. 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A remarkable compilation spanning more than five decades of musical exploration. The album brings together 7 performances from 1968 to 2025, offering a rare glimpse into some alternative, improvisational currents that have defined Matthiessen's career.From the early energy of the Poul Ehlers Quartet in 1968, featuring the rare collaboration with free-jazz drummer Bo de Richelieu and a young Jesper Zeuthen, to his contributions in Erling Kroner's Quintet in 1970, Matthiessen's pianism has always blended melodic sensitivity with a restless curiosity. The album also includes the electrifying Turkish-inspired jazz of Atilla Engin Group in 1981, where Matthiessen fuses complex rhythms with the swinging spirit of jazz, as well as boundary-pushing improvisations with Global Units in 2011, incorporating electronics and experimental textures.Later recordings, such as Testmann Jazz in 2023, highlight Matthiessen's lyrical side, paying homage to Ben Webster while demonstrating his enduring command of ensemble interplay. Framing the album are two solo improvisations, Subcurrent 1 and Subcurrent 2, recorded in 2025 at The Village Studio, capturing the pianist at his most spontaneous, exploring sound, touch, and flow in real time with no rehearsals or retakes.Subcurrents is more than a retrospective. It is a journey through the subtle undercurrents of jazz, and the threads connecting tradition, experimentation, and collaboration across decades. 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Often, the picture of the future isn't clear but remains obscured or hazy. But it is the belief in a brighter time ahead that helps imagine a better place through the mist. Violist, improviser, and composer Mat Maneri captures that feeling on his new recording, Mist, the final installment of a musical trilogy that he recorded with his quartet of longtime collaborators.Maneri has become well known as a singular performer and creator on viola, forming intriguing partnerships with improvisers of all stripes. Over the past seven years, Maneri has focused on a quartet to present his music. The group includes instrumentalists that Maneri has played with for decades, including drummer Randy Peterson, bassist John Hébert, and pianist Lucian Ban.The quartet initially formed as Maneri realized that he wanted to release a collection of music and to create a trilogy of albums with an overarching tone. The quartet released Dust (Sunnyside) in 2019, an ephemeral recording that meant to harness the spirit of quote end quote jazz. Ash (Sunnyside, 2023) deconstructed the initial approach and was envisioned as a memory experiment with grief.As the quartet's identity has matured, Maneri has leaned into the voices of his bandmates to inspire his work. The compositional voice of Lucian Ban has also been incorporated, as the pianist's pieces constitute half of the pieces on Mist. The music on Mist utilizes elements from the two previous albums to create a sort of resolution, leading from the haze of the Dust and Ash into a tentatively hopeful sense of ease on Mist. The recording was captured at Tedesco Studios in New Jersey on April 23, 2025.Mat Maneri gratefully completes a musical journey that he began seven years ago with his trusted quartet on Mist. 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Mana leans into the expansion of the latter: solo trombone filtered through a well-dialed pedalboard, manipulated live; spare piano à la the late-career work of Ryuichi Sakamoto; electroacoustic interplay simultaneously echoing and transforming the long-note melodicism of Vandever's melancholic brass work; head-on, unambiguous, and deeply personal lyricism-a particularly fresh move for the composer... 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