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He is a founding member of the electro-jazz quintet MUFF, the cult jazzsextet Vertigo and the duo DoMa Ensemble. Besides collaborating with many foremost artists from different genres on the homeand international scene, he has been dedicating himself to composition, writing scenic music for the theatre company Farma vjeskyni (Farm in the Cave), among otherprojects. He is the recipient of multiple Czech Music Academy Awards in the jazz category,having also been nominated for the same award on a number of occasions. While Episodes from the Spinning Ball is the firstrecording to feature Barta's work exclusively, the eponymous composition is his first piece for a large ensemble. As composerand arranger he has taken part in dozens of projects and recordings, many of which were released by the label Animal Music.The new album brings a recording of a concert performance featuring the Prague Radio Symphony Orchestra, which took placeas part of the jazz-symphonic crossover series New Horizons in February 2025 in the DOX+Multifunction Hall in Prague.Composed on a commission from the orchestra, the work formally resembles a suite in three parts. It is performed, however, asa continuous flow of music. In the author's own words, the piece \"is an attempt to evoke a story that reflects my own planetaryexperience. The rotating ball in the title is a geoid, the shape of our own planet.\" Combining composed music with improvisation,the piece bears traces of Barta's original style, known for example from his work for Vertigo or Muff. 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In New York captures the moody prince of cool stepping into the East Coast hard bop ring - and holding his own with charm, tone, and those impossibly lyrical lines that seem to float above the beat like cigarette smoke in a club basement.Chet Baker didn't play the trumpet. He seduced it. His tone? So velvety, you might try spreading it on toast. His solos? Like a conversation with someone who never raises their voice - but always gets the last word. On In New York, Chet proves that his famously fragile persona belied a rock-solid sense of melody, timing, and understated swagger.Chet may be the name on the cover, but he came to town with some serious firepower. Johnny Griffin (tenor sax), known as the 'Little Giant' brings a big sound and a bebop bite, pushing Chet into edgier territory - and yes, it works. Al Haig (piano), is bebop royalty. Cool, crisp, and a perfect harmonic foil for Baker's phrasing. Paul Chambers (bass), is from Miles' first-call list. 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