{"title":"Latin Pop\/Rock","description":null,"products":[{"product_id":"pre-order-selena-selena-live-remastered-2026-cd","title":"Selena - Selena LIVE - Remastered 2026 [CD]","description":"\u003cp\u003eSelena Live! was recorded on February 7, 1993, during a free concert at the Memorial Coliseum in Corpus Christi, Texas. The album made Selena the first Tejano artist to win a Grammy Award for Best Mexican-American Album. All three singles from the album simultaneously held Top 5 positions on Billboard’s Hot Latin Songs chart. This version features remastered audio and an unreleased live performance of the song “Missing My Baby.”\u003c\/p\u003e\u003cp\u003eSelena Live! se grabó originalmente el 7 de febrero de 1993 durante un concierto gratuito en el Memorial Coliseum de Corpus Christi, Texas. El álbum convirtió a Selena en la primera artista tejana en ganar el Premio Grammy al Mejor Álbum Mexican-American. 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The album was recorded with a live audience at Studio 9 in North Adams, MA with post-production at Greg Landau's studio in Alameda, CA. The 11 tracks feature tunes the band has presented on tour over the past few years plus several new pieces, including the dynamic and quintessential Sosa creation 'Hella Changui'. The album includes special guest contributions by Natascha Atlas (vocal), Guillermo Gómez-Peña (spoken word), Reggie Stephens (spoken word), Tito Leliebre (percussion), and Camilo Landau and Kai Lyons (tres). The recording captures the very heart of Quarteto Americanos, a sonic universe in which Latin roots converge with the worlds of Jazz, Classical, and Hip-Hop. The result is a deeply personal sound that diverges from mainstream trends and instead expresses a truly unique voice. 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A fabulous, danceable, influential, international music, it produced the indispensable original version of Santana's famous hit \"Oye Como Va\" for example, as well as \"Chanchullo\", the Cuban piece that inspired it (both included here). Bruno Blum recounts the birth of cha-cha-cha and comments on it - a peak in Cuban music, before the 1959 revolution that led so many Cuban musicians fleeing to the USA. The golden age of cha-cha-cha is typical of exchanges between Cuban and American musicians such as Tito Puente, who soon made this style their own. 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