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Cool - calm - collected: chapter 15 of this superlative series, compiled by Composts head honcho Michael Reinboth. 21 tracks, 8 exclusive, previously unreleased tracks. The exclusives by Area (guess you all know his brilliant Innervisions release), Arnau Obiols \u0026amp; KAYYAK (recently featured by Gilles Peterson in his watch out for 2021 top five list), Ron Deacon (officially belongs to the Workshop-Crew together with other artists like Move D, Even Tuell and Kassem Mosse), Class Compliance my gosh... what a killer tune, Mille \u0026amp; Hirsch (operators of the fine Polish Records), All Is Well (Fred Everything), Ben Sturm (watch out talent of Leipzig's viral underground scene) and Oliver Kieser (best known as Kieser \u0026amp; Velten with their releases on G-Stone). 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For the drum chair, Trevor chose Billy Kilson, famed for his long association with Dave Holland, while Paul selected bassist Ike Sturm (Donny McCaslin) and pianist Jim Ridl (Kurt Elling, Joe Locke). Ryan Keberle contributes a third trombone to some of the sections to create a full, lush sound. 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The band amassed an enormous regional following but never managed to break through on a nationwide scale. By 1984, The Good Rats were history, and Peppi Marchello turned his attention to a solo album. Before long, Marchello teamed up with his son Gene, an up-and-coming guitarist in his own right. The project was initially intended to be called Popzarocca, but CBS Records felt it was wiser for Marchello senior to remain behind the scenes as songwriter and producer, placing the spotlight on Gene as the band's guitarist and vocalist. In March 1989, Marchello's debut album Destiny hit the shelves, combining high-quality AOR and melodic heavy rock with Gene's impressive fretboard skills. The song \"First Love\" was chosen as the lead single and received heavy rotation on MTV. Today, Destiny is widely regarded as a forgotten gem of the genre. However, this was not the end of Marchello's journey. The band soon began work on a second album, with songs such as \"Every Man's Lover,\" \"Wall of Paper,\" and the epic \"All God's Angels\" slated for release by CBS in 1991. Ultimately, the album's release was canceled by the label for reasons unknown. 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In the whirlwind first few years of the band, there had been breakups, new love affairs, and yearning all while Wishy stormed the indie scene as an instantly beloved new act. That revelation by way of pep-talk arrives in the chorus of \"Sensational.\" Originating through Krauter's experimentation with drum loops, the song is what should be an unholy fusion of sugary grunge and dream-pop. Yet Wishy's latest jubilant remix of the past bears all their trademarks: zany lyrics transfiguring melancholia into freedom, an instant classic chorus that already feels like an old friend. It's all quintessentially Wishy, and yet unlike any Wishy song you've yet heard-which made it the perfect song to give their vibrant sophomore album 'Nature's Pill' it's name. Wishy's origins go way back, to when Krauter and Pitchkites met in high school in Indianapolis. 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In the whirlwind first few years of the band, there had been breakups, new love affairs, and yearning all while Wishy stormed the indie scene as an instantly beloved new act. That revelation by way of pep-talk arrives in the chorus of \"Sensational.\" Originating through Krauter's experimentation with drum loops, the song is what should be an unholy fusion of sugary grunge and dream-pop. Yet Wishy's latest jubilant remix of the past bears all their trademarks: zany lyrics transfiguring melancholia into freedom, an instant classic chorus that already feels like an old friend. It's all quintessentially Wishy, and yet unlike any Wishy song you've yet heard-which made it the perfect song to give their vibrant sophomore album 'Nature's Pill' it's name. Wishy's origins go way back, to when Krauter and Pitchkites met in high school in Indianapolis. Some years and a few projects later, they joined forces to form Wishy, rounding out the lineup with guitarist Dimitri Morris, bassist Mitch Collins, and drummer Conner Host. The group's musical synergy was intense from the jump and the beginning of their career has been a prolific burst: the 'Mana' and 'Paradise' EPs in 2023, debut LP 'Triple Seven' in 2024, and a follow-up EP 'Planet Popstar' in 2025. After those releases met acclaim and the band's stature rose, the conception of 'Nature's Pill' was fundamentally different. The entire project was a more collaborative effort. After writing separately for all of their debut, Krauter and Pitchkites sat down to write together as much as solo; Morris and Collins contributed to the writing process. 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In the whirlwind first few years of the band, there had been breakups, new love affairs, and yearning all while Wishy stormed the indie scene as an instantly beloved new act. That revelation by way of pep-talk arrives in the chorus of \"Sensational.\" Originating through Krauter's experimentation with drum loops, the song is what should be an unholy fusion of sugary grunge and dream-pop. Yet Wishy's latest jubilant remix of the past bears all their trademarks: zany lyrics transfiguring melancholia into freedom, an instant classic chorus that already feels like an old friend. It's all quintessentially Wishy, and yet unlike any Wishy song you've yet heard-which made it the perfect song to give their vibrant sophomore album 'Nature's Pill' it's name. Wishy's origins go way back, to when Krauter and Pitchkites met in high school in Indianapolis. 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The group reconvened with 'Triple Seven' co-producer Ben Lumsdaine in Los Angeles, where the quintet packed into a tiny studio and tracked half the songs live in the room, imbuing the album with the immediate energy of a band in sync after heavy touring. It gave them the ability to synthesize an even greater array of touchstones this time around, with the '90s dream-pop and alt-rock of 'Triple Seven' fusing with '80s college rock and '00s indie. \"We were getting a bit more twee with it, embracing the young hipster headspace we had in high school,\" Krauter says. Just as their sound is often a swirl of various alternative and indie traditions, Wishy's new songs collide the highs, pitfalls, and banal detritus of human experience alike. 'Nature's Pill' re-examines some of Wishy's favored themes under new lights, jumping off from breakup songs to more abstract meditations on forlornness, romantic intention, lust. \"We take that stuff and almost write in a fictional, hypothetical frame of mind,\" Krauter explains. \"The songs capture romantic frustration and neurotic desire and the melodrama that ensues from simply being a person with emotions experiencing relationships and inner turmoil. 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In the whirlwind first few years of the band, there had been breakups, new love affairs, and yearning all while Wishy stormed the indie scene as an instantly beloved new act. That revelation by way of pep-talk arrives in the chorus of \"Sensational.\" Originating through Krauter's experimentation with drum loops, the song is what should be an unholy fusion of sugary grunge and dream-pop. Yet Wishy's latest jubilant remix of the past bears all their trademarks: zany lyrics transfiguring melancholia into freedom, an instant classic chorus that already feels like an old friend. It's all quintessentially Wishy, and yet unlike any Wishy song you've yet heard-which made it the perfect song to give their vibrant sophomore album 'Nature's Pill' it's name. Wishy's origins go way back, to when Krauter and Pitchkites met in high school in Indianapolis. Some years and a few projects later, they joined forces to form Wishy, rounding out the lineup with guitarist Dimitri Morris, bassist Mitch Collins, and drummer Conner Host. The group's musical synergy was intense from the jump and the beginning of their career has been a prolific burst: the 'Mana' and 'Paradise' EPs in 2023, debut LP 'Triple Seven' in 2024, and a follow-up EP 'Planet Popstar' in 2025. After those releases met acclaim and the band's stature rose, the conception of 'Nature's Pill' was fundamentally different. The entire project was a more collaborative effort. After writing separately for all of their debut, Krauter and Pitchkites sat down to write together as much as solo; Morris and Collins contributed to the writing process. The group reconvened with 'Triple Seven' co-producer Ben Lumsdaine in Los Angeles, where the quintet packed into a tiny studio and tracked half the songs live in the room, imbuing the album with the immediate energy of a band in sync after heavy touring. It gave them the ability to synthesize an even greater array of touchstones this time around, with the '90s dream-pop and alt-rock of 'Triple Seven' fusing with '80s college rock and '00s indie. \"We were getting a bit more twee with it, embracing the young hipster headspace we had in high school,\" Krauter says. Just as their sound is often a swirl of various alternative and indie traditions, Wishy's new songs collide the highs, pitfalls, and banal detritus of human experience alike. 'Nature's Pill' re-examines some of Wishy's favored themes under new lights, jumping off from breakup songs to more abstract meditations on forlornness, romantic intention, lust. \"We take that stuff and almost write in a fictional, hypothetical frame of mind,\" Krauter explains. \"The songs capture romantic frustration and neurotic desire and the melodrama that ensues from simply being a person with emotions experiencing relationships and inner turmoil. 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For the man born Che Jessamy, his rap moniker isn't some over-the-top rock star persona contrived for public consumption; it's just a name. What you hear on his records is really who he is: a heavy-tongued griot from East Flatbush, Brooklyn, with a gift for vivid stream-of-consciousness storytelling. His bars are imbued with the wisdom he's gained in his lifetime, especially in the 14 years since he first made his debut with the Pro Era collective in the 2010s. \"When I was younger I would always be looking forward to 'next year' or saying to myself, 'When I do this, it's going to be this'... blah blah blah,\" says Chuck, describing how his definition of success has evolved since then. \"But then, as I got older, I have just been more grateful for the gift that it is to even make music [professionally].\" The elaborate title of his new album, Glory Of The King's Hand, speaks to his gratitude for the hand that life's dealt him, which is a pretty good one. 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Chuck is a proficient beatmaker in his own right, as evidenced by his production work for himself and artists like Joey Badass and Boldy James (see 2025's Token of Appreciation album), but this time around, he chose to be a producer in the Quincy Jones sense of the word, bringing together vocalists, producers, and musicians instead of handling all of the beats and rhymes himself: \"I only did one beat on the album [\"Everyday\"], which is the least amount of beats I ever did on any of my albums.\" The results of this collective approach are astounding. Take, for instance, \"Breaking Atoms,\" a track built on the improvised-on-the-spot music of production trio\/band Human Error Club. A hypnotic Fender-Rhodes and head-nod-inducing drums are the perfect complement for Chuck and woods' visual verses and give way to Zeroh's psychedelic sung vocals and his exclamation, \"We the main soooource!\" Multifaceted newcomer Obii Say - Chuck's current favorite rapper - appears on two songs (\"Everyday\" and \"Miracle Miles\") and produces a third. The list of contributing producers is a who's who of underground sound scientists, including The Alchemist, Animoss, Theravada, Kenny Segal, Preservation, Child Actor, and Morriarchi. And while... 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Recorded in early 2026 at ARDA Recorders in Porto and produced, mixed, and mastered by Jaime Arellano (Ghost, Ulver, Behemoth), TRAVO's third studio album marks a shift away from the fantasy themes of the band’s previous record, 2023’s ‘Astromorph God’, into something much more personal, palpable, and grounded in the anxieties of the present time.\u003c\/p\u003e\r\n\u003cp\u003eDue for release October 2nd 2026, ‘WASTELAND’ arrives off the back of three years spent touring heavily around Europe, with their notoriously face-melting live show captured on a blazing KEXP session filmed whilst on the road. Looking to keep riding that high, the band took advantage of a rare break in their touring schedule and headed straight for the studio with a newfound intensity and urgency: “The recording session was booked without any composed material, and the whole album ended up being written in a little over one intense month of rehearsals. 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