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The members are Riri (vocals \u0026amp; guitar), Yollan (guitar), Meiga (bass), and Desita (drums). They released their debut EP 'Inthrovvvert' in 2018 and kicked off their live performances on April 21 of the same year at 'Record Store Day Lombok 2018. 'The band name 'The Dare' is derived from the Sasak word Dedare, meaning 'girl. ' Their name embodies the spirit of redefining girlhood as something brave and bold. Influenced heavily by the riot grrrl movement of the '90s, their music expresses resistance against gender discrimination, prejudice, and stereotypes-while also celebrating the joy of being a woman. Their sound is deeply inspired by indie pop bands from the K Records and Sarah Records scenes, as well as artists featured on the legendary C86 compilation-especially Heavenly and Tiger Trap. 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In 2013, John Speight wrote his Soliloquy (track 7 and 8) at my request. Two more recent commissions are on the album, both from composers who play the violin: Fragile Stillness by Lilja Maria asmundsdottir and Aria by Maria Huld Markan. Iceland has a long tradition of violin playing and according to folklore every farmer in certain valleys up north was a fiddler. Ea Fantasia (track 4), my own composition, is inspired by the opening track Alia Fantasia by Nicola Matteis Jr. He was the London-born son of the Italian composer Nicola Matteis, who wrote Ayers and Grounds. Nicola Junior was a violinist like his father and lived in Vienna, where he composed numerous ballets for the imperial opera. His bariolage (arpeggios over four strings) remind me of the opening of Fratres by Arvo Part and Bach's Chaconne-key works in the violin repertoire-both of which have been a great inspiration to me. In Fragile Stillness (track 2), Lilja Maria asmundsdottir experiments with textures. Or as she puts it: \"The piece is inspired by a weather condition called froststillur. It is characterized by an intense calmness where there is no wind and a crisp, frozen atmosphere.Karolina wrote Meditation (track 3) in 1996 for violinist Hlif Sigurjonsdottir, who premiered the piece in June 1997. Meditation is in one movement, built on ideas which change and develop, and the composer describes it as \"variations without a theme.Aria (track 5) by Maria Huld Markan was written for me in 2023. Her solo piece is written under the influence of Maria Callas and her romanticism and lontano as she sings Puccini. Maria is reflecting on the concept of the genius, and motifs are flowing from all the fountains contemplating the romantic violin repertoire. On his Adagio (track 6), composer Tryggvi Baldvinsson writes: \"This small Adagio can be seen as a short play in which three distinct characters appear. Each has it's own traits, it's own personality. 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This concept of descent is echoed in the title, Ofdune, which is derived from the Old English meaning \"downwards\" or \"off the hill\".Jon Nordal's Hvert orstutt spor (Each Tiny Step, track 11) is from the play Silfurtunglid by Icelandic Nobel Prize-winning author Halldor Laxness. This is a famous Icelandic song, here in my gospel music influenced arrangement for solo violin. 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Sharp, restless, and unmistakably London. Released in 2006, this debut didn't just introduce The Rifles; it announced them with urgency and a knowing nod to the lineage of The Jam and The Clash, reframed for a new generation. A cult classic.The 11 original tracks capture the immediacy of youth, nights out, and the bittersweet comedown after. Produced by Ian Broudie, it's chiming guitars, driving rhythms, and Joel Stoker's unmistakable vocal-equal parts defiance and vulnerability-set The Rifles apart. An album that soundtracked mid-2000s Britain while quietly building a loyal following that remains to this day.The 20th Anniversary vinyl edition includes two previously unreleased studio tracks from the No Love Lost sessions, recorded at Abbey Road. 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Just like our musical heroes The Beatles, Rolling Stones, or even Jimi Hendrix-all artists who honed their craft by learning cover songs from the legends before them-we did the same as youngsters and still enjoy paying tributes and recording cover songs today. HOMAGE is our new album that not only pays tribute to legends but gives us a chance to showcase our lead singer's diversity as well as the musical dynamics we learned as a band many years ago. And now, our new album HOMAGE is a thank-you note written in sound. It is an offering to the great singers and songs that shaped the music we grew up listening to and the songs we would eventually write. Each track showcases Jeff Keith's incredible vocal ability. Something that may have been overlooked throughout our long career. But not by our fans.. !!! HOMAGE isn't about imitation. It's about acknowledgment. About tracing the line from influence to identity, from listening to becoming. You ask why ?.. why not! It felt like a good thing to do, it's been 20 years since we did Real to Reel.. It sparked writing a new original Tesla song called \"Never Alone\". And it's what bands are supposed to do.make music. These songs were picked for various reasons.. Mostly because they're some of the greatest singers of all time: And some of the others because we liked the songs and grew up hearing them on the radio or on our turntables. Elvis Presley, Freddie Mercury, Sam Cooke, David Ruffin, Etta James, James Brown. Anyway, we hope you all enjoy this as much as we did making it.. Thank you for all the years.Keep it Real and keep Rockin!!!!!\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eNever Alone (Original)\u003c\/li\u003e\n\u003cli\u003eBring It on Home (Sam Cooke)\u003c\/li\u003e\n\u003cli\u003eSpread Your Wings (Queen)\u003c\/li\u003e\n\u003cli\u003eI Wish It Would Rain (The Temptations)\u003c\/li\u003e\n\u003cli\u003eNight Moves (Bob Seger)\u003c\/li\u003e\n\u003cli\u003eIf I Can Dream (Elvis Presley)\u003c\/li\u003e\n\u003cli\u003eCome and Get It (Badfinger)\u003c\/li\u003e\n\u003cli\u003eI Got You (James Brown)\u003c\/li\u003e\n\u003cli\u003eGive a Little Bit (Supertramp)\u003c\/li\u003e\n\u003cli\u003eI Love You (2026 Version) (Climax Blues Band)\u003c\/li\u003e\n\u003cli\u003eThe Ballad of Curtis Loew (Lynyrd Skynyrd)\u003c\/li\u003e\n\u003cli\u003eHave You Ever Seen the Rain (Ccr)I\u003c\/li\u003e\n\u003cli\u003e'd Rather Go Blind (Etta James)\u003c\/li\u003e\n\u003cli\u003eMind Your Own Business (Hank Williams Sr.)\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 8024391156827\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Frontiers Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 7.17.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Frontiers Records","offers":[{"title":"Default Title","offer_id":46213269651652,"sku":"8024391156827","price":13.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0711\/9336\/2628\/files\/4510228-3602453.jpg?v=1780627512"},{"product_id":"pre-order-herbert-karajan-von-mozart-syms-35-36-38-41-remastered-hybrid-sacd-cd","title":"Pre-Order: Herbert Karajan  Von - Mozart Syms 35-36 38-41 (Remastered - Hybrid Sacd) [CD]","description":"\u003cp\u003eHerbert von Karajan, the emblematic conductor of the post-war years, did not record Mozart's final six symphonies as a group until September 1970 - in EMI sessions presided over by French producer Michel Glotz, a close friend and colleague. There are some subtle inflections to the Karajan-Berlin sound here: we hear the Philharmoniker's usual silken texture, wonderfully enveloping and accomplished, but here it is more luminous, less sombre and untamed than in the DG recordings. This is nonetheless a fully symphonic Mozart, not deprived of urgency, but with a serious-minded and dignified radiance. Supple and organic, the phrases are steeped in the legato for which Karajan was famed. His introductions are solemn and noble (Nos. 36 and 39), his Andantes and Adagios take a metaphysical turn, and his Menuettos are envisaged almost as interludes - to astonishing effect in Symphony No. 36 - but it is in the finales (the 'Haffner', G minor and 'Jupiter') that Karajan is at his most irresistible. These recordings have just been remastered in HD 192\/24 from the original tapes for the SACD release.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSymphony No. 35 in D Major, K. 385 \"Haffner\": I. Allegro con spirito\u003c\/li\u003e\n\u003cli\u003eSymphony No. 35 in D Major, K. 385 \"Haffner\": II. Andante\u003c\/li\u003e\n\u003cli\u003eSymphony No. 35 in D Major, K. 385 \"Haffner\": III. Menuetto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 35 in D Major, K. 385 \"Haffner\": IV. Finale. Presto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 36 in C Major, K. 425 \"Linz\": I. Adagio - Allegro spiritoso\u003c\/li\u003e\n\u003cli\u003eSymphony No. 36 in C Major, K. 425 \"Linz\": II. Andante\u003c\/li\u003e\n\u003cli\u003eSymphony No. 36 in C Major, K. 425 \"Linz\": III. Menuetto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 36 in C Major, K. 425 \"Linz\": IV. Presto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 41 in C Major, K. 551 \"Jupiter\": I. Allegro vivace\u003c\/li\u003e\n\u003cli\u003eSymphony No. 41 in C Major, K. 551 \"Jupiter\": II. Andante cantabile\u003c\/li\u003e\n\u003cli\u003eSymphony No. 41 in C Major, K. 551 \"Jupiter\": III. Menuetto. Allegretto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 41 in C Major, K. 551 \"Jupiter\": IV. Molto allegro\u003c\/li\u003e\n\u003cli\u003eSymphony No. 38 in D Major, K. 504 \"Prague\": I. Adagio - Allegro\u003c\/li\u003e\n\u003cli\u003eSymphony No. 38 in D Major, K. 504 \"Prague\": II. Andante\u003c\/li\u003e\n\u003cli\u003eSymphony No. 38 in D Major, K. 504 \"Prague\": III. Finale. Presto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 39 in E-Flat Major, K. 543: I. Adagio - Allegro\u003c\/li\u003e\n\u003cli\u003eSymphony No. 39 in E-Flat Major, K. 543: II. Andante con moto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 39 in E-Flat Major, K. 543: III. Menuetto. Allegretto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 39 in E-Flat Major, K. 543: IV. Finale. Allegro\u003c\/li\u003e\n\u003cli\u003eSymphony No. 40 in G Minor, K. 550: I. Molto allegro\u003c\/li\u003e\n\u003cli\u003eSymphony No. 40 in G Minor, K. 550: II. Andante\u003c\/li\u003e\n\u003cli\u003eSymphony No. 40 in G Minor, K. 550: III. Menuetto. Allegretto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 40 in G Minor, K. 550: IV. 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Paired with the symphony is a rarely heard work, dating from 1905 - 12 years on from the New York premiere of Dvorák's symphony - by the Dutch composer Johan Wagenaar (1862-1941). His concert overture, Cyrano de Bergerac portrays the eloquent hero of Edmond de Rostand's celebrated tragi-comic play of 1897. With it's impetuous opening, soaring melodies and brilliant orchestration, Wagenaar's work is unmistakably in the vein of Richard Strauss's sumptuous symphonic poem Don Juan. When it was performed in Rotterdam in 2025, the critic of de Nieuwe Muze hailed it as \"an exciting adventure story in sound\".\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eCyrano de Bergerac, Op. 23\u003c\/li\u003e\n\u003cli\u003eSymphony No. 9 in E minor, Op. 95, B. 178 \"From the New World\": I. Adagio - Allegro Molto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 9 in E minor, Op. 95, B. 178 \"From the New World\": II. Largo\u003c\/li\u003e\n\u003cli\u003eSymphony No. 9 in E minor, Op. 95, B. 178 \"From the New World\": III. Molto Vivace\u003c\/li\u003e\n\u003cli\u003eSymphony No. 9 in E minor, Op. 95, B. 178 \"From the New World\": IV. 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With ten widely admired recordings to it's name and numerous festival distinctions, the Kielce-based choir Fermata has earned a reputation for interpretative insight, tonal refinement, and exemplary musicianship. 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Paul Butterfield stands as the lastremaining original member of his namesake collective on Keep onMoving. It's hard to imagine it being any other way. Picking up whereit left off on In My Own Dream, the BUTTERFIELD BLUES BAND whollyembraces R\u0026amp;B fervor - and indirectly dares any horn-accompaniedensemble of the era to match it's energy, pulse, tightness, and flair.While going all-in on soul with a crack support cast on this 1969 set,Butterfield would pull the plug on the band just two years later. Thegroup's pursuit of funky, bluesy paths carved by rolling bass lines,stacked horns, buttoned-up rhythms, and harmonica blasts almostmakes that decision unthinkable.Sourced from the original analog master tapes and housed in amini-LP-style gatefold package, Mobile Fidelity's hybrid SACDmakes Keep on Moving available in audiophile quality. Open andbalanced, it underlines the dynamic liveliness and organic feel ofJerry Ragovoy's production. As well as the palpable chemistry ofthe sessions recorded at his then-brand-new Hit Factory studioin New York. The prominence and positioning of the horn section- comprised of a young David Sanborn, Gene Dinwiddie, TrevorLawrence, Keith Johnson, and Steve Madaio - particularly benefitfrom the newfound transparency and presence. This reissue's clarityalso exposes key details, accents, and textures germane to themusic. 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The band amassed an enormous regional following but never managed to break through on a nationwide scale. By 1984, The Good Rats were history, and Peppi Marchello turned his attention to a solo album. Before long, Marchello teamed up with his son Gene, an up-and-coming guitarist in his own right. The project was initially intended to be called Popzarocca, but CBS Records felt it was wiser for Marchello senior to remain behind the scenes as songwriter and producer, placing the spotlight on Gene as the band's guitarist and vocalist. In March 1989, Marchello's debut album Destiny hit the shelves, combining high-quality AOR and melodic heavy rock with Gene's impressive fretboard skills. The song \"First Love\" was chosen as the lead single and received heavy rotation on MTV. Today, Destiny is widely regarded as a forgotten gem of the genre. However, this was not the end of Marchello's journey. The band soon began work on a second album, with songs such as \"Every Man's Lover,\" \"Wall of Paper,\" and the epic \"All God's Angels\" slated for release by CBS in 1991. Ultimately, the album's release was canceled by the label for reasons unknown. 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Knowing nods to Cohen, Dylan, and the Velvets have been part of his songwriting since the early lo-fi days, but the ways these touchstones get infused keep changing. While Joyner's ragged acoustic songs are in the spotlight, they're prodded by electric guitars and imbued with experimental tendencies. Rock songs split the difference between minimal grooves learned from Loaded-era Velvet Underground and the ecstatic rhythmic weirdness of Can. By the time we arrive at the penultimate track, \"Anniversary Song,\" the ghost vocals and scratches of microtonal synth have blurred the lines between Joyner's folk singer heart and his avant garde spirit. All of this leads to the 20-minute title track which closes Tough Love, an eviscerating plunge into a seemingly bottomless pit of regret, survivor's guilt, and unvarnished grief. Borrowing a repetitious structure from Lou Reed's narrated suite, \"Street Hassle,\" and combined with the full-side testimonial of Dylan's \"Sad-eyed Lady of the Lowlands,\" Joyner narrates from the perspective of his departed son speaking to his father and laying out his every failure and brutally highlighting how none of it can be undone. Soon, though, this agony opens up into something transcendent, in both it's elegant imagery and ethereal atmospherics. The final moments of the album grant permission for self-forgiveness and hopefully someday, understanding. 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Can't go under it. Gotta go through it. And somewhere out there in the Pitch black beyond all darkness lies Peace \u0026amp; Purpose. The horizon you never quite crest until the inevitable end. Breathe deep - this fearful moment is the most alive you're ever gonna feel. For the last decade, Crack Cloud's vision has grown ever more expansive, more cinematic. Last go around, they dropped from The Heavens and then performed with their bare backs to an endless darkening desert. Now they've crammed all that life into some metallic and strange object called Peace \u0026amp; Purpose. All the terror of living. All the helplessness. All the raw human will. All glued and screwed and locked into this impossible tactile shape of dungeon dub; sour milk vox; Avant-protest music.Music armwrestling itself to the ground. Far afield of beauty. The discordant symphony of factory farming and grim timber of the meat processing plant. The grinding din of the cogs. 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Joe is a character going through some of what I experienced, and some of his own problems.\"Early this year, the group returned to the studio with producer Steve Fisk to update accordingly -tweaking lyrics and recording new tunes in the \"Denial-style,\" including the optimistic and anthemic \"Joe Drives Again.\" The result retains Teens's dark edge and youthful cynicism, but promises a bit of light at the end of the tunnel. Toledo writes, \"I'm so grateful that this is a work that people have kept coming to, and I hope that this presentation does them honor with a fresh offering to the conversation. 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