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Lute player Anders Ericson plays recently restored instruments by Swedish 18th century master luthier Johan Jerner, that take us back to an intriguing and intimate sonority from another time. Swedish composers Cloos, Ankar and Wikmanson clearly display the high musical and technical level of early Swedish \"Luthenists\". Each work on \"Solo Pieces for Lutha\" is a world premiere recording, which makes this disc truly exciting. 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While respecting the tradition, the internationally renowned trombonists Paul Dunlea (from Cork) and Trevor Mires (from London) are not traditionalists, and their collaborative project Silfra showcases their thoroughly contemporary skills as composers and arrangers to create a fascinatingly diverse set of trombone led music. Silfra is the name of a place in Iceland where the tectonic plates of Europe and America meet and rub together. \"I scuba-dived between the two plates and touched them both at the same time,\" says Dunlea, and the album presents a true transatlantic meeting of talent. The project was conceived after Paul and Trevor worked together on a project at London's famous Ronnie Scott's Jazz Club, and the music was recorded at the legendary New York studio of Rudy Van Gelder with a specially assembled band of their favorite US musicians. For the drum chair, Trevor chose Billy Kilson, famed for his long association with Dave Holland, while Paul selected bassist Ike Sturm (Donny McCaslin) and pianist Jim Ridl (Kurt Elling, Joe Locke). Ryan Keberle contributes a third trombone to some of the sections to create a full, lush sound. 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Francesca Guccione combines neoclassical piano with ambient textures and subtle electronic layers. Each composition feels like a flowing river of sound, shifting between intimacy and expansiveness. 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He studied violin from 1929 until 1935 at the Conservatory of Liepaja, then composition and conducting (under Leo Blech) at the Conservatory of Riga from 1940 until 1944 while working as a violinist at Riga Opera. In 1944 he was appointed conductor of Riga Opera, then of the Latvian Radio Orchestra (1947-1952). In 1952 he was appointed associate conductor of the Leningrad Philharmonic under Yevgeny Mravinsky and toured frequently with them, as well as with other Russian orchestras, to the UK and to the Continent from 1970 onwards. Jansons became principal guest conductor of Manchester's HallÃ© Orchestra in 1965 at the personal invitation of Sir John Barbirolli, who knew of Jansons as an expert orchestral conductor but a genius in the rehearsal studio. It was in Manchester that Jansons collapsed and died from a heart attack in 1984 while conducting a concert with the HallÃ©. 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The ensemble is known for it's distinctive and varied programs that move beyond traditional genre limits and continuously redefine classical music.For Kiss of Fire, Spark has collaborated with the WÃ¼rttembergisches Kammerorchester Heilbronn. 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Out 25 September via Cooking Vinyl, the record expands the band's sound while holding onto the melodic warmth and sense of wonder that has long defined their music.The album began in one of the most remote corners of the UK. While volunteering as a National Trust ranger on St Kilda, 100 kilometres west of the Outer Hebrides, frontman Brian Briggs spent weeks living among the island's towering sea cliffs, seabird colonies and abandoned settlements. The experience - standing on the edge of the Atlantic with nothing between the island and Canada - sparked the first songs that would become Beyonder. A photograph taken there now forms the album cover.\"Never have I been anywhere so wild and exposed, and never have I felt more alive,\" Briggs says of the experience. The stark landscape and the island's layered history - where centuries-old blackhouses stand not far from a modern military base - shaped a record that quietly reflects on connection, fragility and the changing world around us.Beyonder is an album for a changing world. It confronts the biodiversity and climate crises, the rise of divisive politics, and the toll these pressures take on our minds and communities. These are songs about journeys and destinations, discovery and choice, and taken together they cultivate a hopeful state of mind in unsettled times. Musically, Beyonder sees Stornoway stepping beyond the folk label often attached to their early work. The songs feel broader in scale, with expansive arrangements that still centre on the band's distinctive harmonies and clear melodic writing. 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Out 25 September via Cooking Vinyl, the record expands the band's sound while holding onto the melodic warmth and sense of wonder that has long defined their music.The album began in one of the most remote corners of the UK. While volunteering as a National Trust ranger on St Kilda, 100 kilometres west of the Outer Hebrides, frontman Brian Briggs spent weeks living among the island's towering sea cliffs, seabird colonies and abandoned settlements. The experience - standing on the edge of the Atlantic with nothing between the island and Canada - sparked the first songs that would become Beyonder. A photograph taken there now forms the album cover.\"Never have I been anywhere so wild and exposed, and never have I felt more alive,\" Briggs says of the experience. The stark landscape and the island's layered history - where centuries-old blackhouses stand not far from a modern military base - shaped a record that quietly reflects on connection, fragility and the changing world around us.Beyonder is an album for a changing world. It confronts the biodiversity and climate crises, the rise of divisive politics, and the toll these pressures take on our minds and communities. These are songs about journeys and destinations, discovery and choice, and taken together they cultivate a hopeful state of mind in unsettled times. Musically, Beyonder sees Stornoway stepping beyond the folk label often attached to their early work. The songs feel broader in scale, with expansive arrangements that still centre on the band's distinctive harmonies and clear melodic writing. 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Six original compositions seal this summit meeting, where popular memory engages in dialogue with the boldness of contemporary jazz, confirming Olivier Temime's freedom of expression and strongly affirmed musical identity.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eRaahsan2\u003c\/li\u003e\n\u003cli\u003eLes Choses de la Vie\u003c\/li\u003e\n\u003cli\u003eDidier Du Duc\u003c\/li\u003e\n\u003cli\u003eAldonza\u003c\/li\u003e\n\u003cli\u003eFancy Free\u003c\/li\u003e\n\u003cli\u003eLe France\u003c\/li\u003e\n\u003cli\u003eA Brasilia\u003c\/li\u003e\n\u003cli\u003eCats\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 3700398740300\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Kuroneko\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.6.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Kuroneko","offers":[{"title":"Default Title","offer_id":46213252776132,"sku":"3700398740300","price":22.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0711\/9336\/2628\/files\/4506190-3558367.jpg?v=1780627381"},{"product_id":"pre-order-mario-hossen-brauch-brahms-violin-cons-double-concerto-cd","title":"Pre-Order: Mario Hossen - Brauch \u0026 Brahms: Violin Cons Double Concerto [CD]","description":"\u003cp\u003eThe violin concertos by Max Bruch and Johannes Brahms are among the most significant works in the violin concerto repertoire. They are regarded as highly virtuosic and place great demands on the soloists.They were composed in the 19th century and remain an integral part of the concert repertoire to this day. They showcase different facets of Romanticism: Bruch's work is melodic and emotive, whereas Brahms' concerto is more monumental and symphonic in scope.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 881488260120\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Hanssler Classic\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.6.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\u003c\/div\u003e","brand":"Hanssler Classic","offers":[{"title":"Default Title","offer_id":46213255987396,"sku":"881488260120","price":27.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0711\/9336\/2628\/files\/4507221-3562948.jpg?v=1780627406"},{"product_id":"pre-order-isabel-schicketanz-vision-bach-vol-10-the-first-cantata-year-cant-cd","title":"Pre-Order: Isabel Schicketanz - Vision Bach Vol. 10 - The First Cantata Year Cant [CD]","description":"\u003cp\u003eCompleted: The first Leipzig cantata cycle. \"Hans-Christoph Rademann's interpretation with the Gaechinger Cantorey combines precision with emotional depth, transforming each cantata into it's own little magical world full of sensually charged spirituality. The choir is agile, precise, confident, balanced and has a beautiful sound.\" FonoForum\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 881488230345\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Hanssler Classic\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.6.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\u003c\/div\u003e","brand":"Hanssler Classic","offers":[{"title":"Default Title","offer_id":46213257920708,"sku":"881488230345","price":35.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0711\/9336\/2628\/files\/4507213-3562942.jpg?v=1780627420"},{"product_id":"pre-order-adagietto-smooth-relaxing-classical-adagietto-smooth-relaxing-classical-lp","title":"Pre-Order: Adagietto - Smooth \u0026 Relaxing Classical - Adagietto - Smooth \u0026 Relaxing Classical [LP]","description":"\u003cp\u003eThis compilation is an exquisite curation of classical music's most introspective and soul-stirring moments. Designed for the listener who seeks a sanctuary in sound, the tracklist moves seamlessly from the sweeping, cinematic melancholy of Mahler and John Williams to the delicate, crystalline precision of Bach and Debussy. Opening with the hauntingly beautiful Adagietto from Mahler's 5th Symphony - famous for it's use in the soundtrack of the film Death in Venice -, Side A sets a tone of profound reflection. The journey continues through the iconic, weeping violin of the Schindler's List theme, and the tender ache of FaurÃ©'s AprÃ¨s un rÃªve, offering a rich, orchestral embrace. The flip side transitions into a more intimate, nocturnal space. From the timeless, moonlight-drenched keys of Debussy to the shimmering textures of Saint-SaÃ«ns' Aquarium, Side B focuses on the soloists. The album closes with Beethoven's \"PathÃ©tique\" Sonata.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSymphony No. 5 in C-Sharp Minor: IV. Adagietto. Sehr langsam\u003c\/li\u003e\n\u003cli\u003ePiano Concerto No. 23 in A Major, K. 488: II. Andante\u003c\/li\u003e\n\u003cli\u003eMain Theme (From \"Schindler's List\")\u003c\/li\u003e\n\u003cli\u003e3 MÃ©lodies, Op. 7: No. 1, AprÃ¨s un rÃªve (Orch. BÃ¼sser)\u003c\/li\u003e\n\u003cli\u003eSuite bergamasque, CD 82, L. 75: III. Clair de lune\u003c\/li\u003e\n\u003cli\u003eLe carnaval des animaux: VII. Aquarium\u003c\/li\u003e\n\u003cli\u003ePiano Concerto No. 5 in F Minor, BWV 1056: II. Largo\u003c\/li\u003e\n\u003cli\u003eFlute Concerto in D Major, RV 429: II. Largo\u003c\/li\u003e\n\u003cli\u003eGoldberg Variations, BWV 988: Aria\u003c\/li\u003e\n\u003cli\u003e24 Preludes, Op. 28: No. 11 in B Major\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 8 in C Minor, Op. 13 \"PathÃ©tique\": II. Adagio cantabile\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 5026854537948\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Warner Classics\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.6.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl Records\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Warner Classics","offers":[{"title":"Default Title","offer_id":46213270503620,"sku":"5026854537948","price":27.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0711\/9336\/2628\/files\/4510124-3570188.jpg?v=1780627519"},{"product_id":"pre-order-nikolaus-harnoncourt-complete-teldec-recordings-box-cd","title":"Nikolaus Harnoncourt - Complete Teldec Recordings (Box) [CD]","description":"\u003cp\u003eNikolaus Harnoncourt's relationship with the Royal Concertgebouw Orchestra was one of the most transformative partnerships in modern orchestral history, lasting 38 years and totalling 276 concerts. What made the partnership unique was the mutual respect between the maestro and the ensemble. While many traditional orchestras initially resisted Harnoncourt's strict adherence to historical scores, the Concertgebouw musicians embraced his intellectual rigor. Over several decades, they developed a distinctive \"Amsterdam style\" of performing the First Viennese School - Mozart, Haydn, Beethoven - combining the orchestra's legendary warmth with Harnoncourt's sharp, dramatic energy. The recorded legacy of this collaboration remains a cornerstone of the classical catalog. Their famous cycles of Mozart and Haydn symphonies were highly acclaimed, as was their profound interpretation of Schubert's complete symphonic works, which continue to be benchmarks for critics and collectors alike. The box also includes the famous Mozart\/Da Ponte trilogy (Don Giovanni, Le nozze di Figaro and CosÃ¬ fan tutte), starring Thomas Hampson, works by Bruckner, Johann Strauss and Brahms, as well as four albums by Dvorak (his major symphonies and his piano concerto)\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSymphony No. 40 in G Minor, K. 550: I. Molto allegro\u003c\/li\u003e\n\u003cli\u003eSymphony No. 40 in G Minor, K. 550: II. Andante\u003c\/li\u003e\n\u003cli\u003eSymphony No. 40 in G Minor, K. 550: III. Menuetto. Allegretto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 40 in G Minor, K. 550: IV. Allegro assai\u003c\/li\u003e\n\u003cli\u003eSymphony No. 25 in G Minor, K. 183: I. Allegro con brio\u003c\/li\u003e\n\u003cli\u003eSymphony No. 25 in G Minor, K. 183: II. Andante\u003c\/li\u003e\n\u003cli\u003eSymphony No. 25 in G Minor, K. 183: III. Menuetto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 25 in G Minor, K. 183: IV. Allegro\u003c\/li\u003e\n\u003cli\u003eSymphony No. 26 in E-Flat Major, K. 184: I. Molto presto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 26 in E-Flat Major, K. 184: II. Andante\u003c\/li\u003e\n\u003cli\u003eSymphony No. 26 in E-Flat Major, K. 184: III. Allegro\u003c\/li\u003e\n\u003cli\u003eSymphony No. 28 in C Major, K. 200: I. Allegro spiritoso\u003c\/li\u003e\n\u003cli\u003eSymphony No. 28 in C Major, K. 200: II. Andante\u003c\/li\u003e\n\u003cli\u003eSymphony No. 28 in C Major, K. 200: III. Menuetto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 28 in C Major, K. 200: IV. Presto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 30 in D Major, K. 202: I. Molto allegro\u003c\/li\u003e\n\u003cli\u003eSymphony No. 30 in D Major, K. 202: II. Andantino con moto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 30 in D Major, K. 202: III. Menuetto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 30 in D Major, K. 202: IV. Presto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 39 in E-Flat Major, K. 543: I. Adagio - Allegro\u003c\/li\u003e\n\u003cli\u003eSymphony No. 39 in E-Flat Major, K. 543: II. Andante con moto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 39 in E-Flat Major, K. 543: III. Menuetto. Allegretto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 39 in E-Flat Major, K. 543: IV. Finale. Allegro\u003c\/li\u003e\n\u003cli\u003eSymphony No. 29 in A Major, K. 201: I. Allegro moderato\u003c\/li\u003e\n\u003cli\u003eSymphony No. 29 in A Major, K. 201: II. Andante\u003c\/li\u003e\n\u003cli\u003eSymphony No. 29 in A Major, K. 201: III. Menuetto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 29 in A Major, K. 201: IV. Allegro con spirito\u003c\/li\u003e\n\u003cli\u003eSymphony No. 33 in B-Flat Major, K. 319: I. Allegro assai\u003c\/li\u003e\n\u003cli\u003eSymphony No. 33 in B-Flat Major, K. 319: II. Andante moderato\u003c\/li\u003e\n\u003cli\u003eSymphony No. 33 in B-Flat Major, K. 319: III. Menuetto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 33 in B-Flat Major, K. 319: IV. Finale. Allegro assai\u003c\/li\u003e\n\u003cli\u003eSymphony No. 31 in D Major, K. 297 \"Paris\": I. Allegro assai\u003c\/li\u003e\n\u003cli\u003eSymphony No. 31 in D Major, K. 297 \"Paris\": II. Andante\u003c\/li\u003e\n\u003cli\u003eSymphony No. 31 in D Major, K. 297 \"Paris\": III. Allegro\u003c\/li\u003e\n\u003cli\u003eSymphony No. 31 in D Major, K. 297 \"Paris\": II. Andante (Alternate Version)\u003c\/li\u003e\n\u003cli\u003eSymphony No. 36 in C Major, K. 425 \"Linz\": I. Adagio - Allegro spiritoso\u003c\/li\u003e\n\u003cli\u003eSymphony No. 36 in C Major, K. 425 \"Linz\": II. Andante\u003c\/li\u003e\n\u003cli\u003eSymphony No. 36 in C Major, K. 425 \"Linz\": III. Menuetto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 36 in C Major, K. 425 \"Linz\": IV. Presto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 32 in G Major, K. 318: I. Allegro spiritoso\u003c\/li\u003e\n\u003cli\u003eSymphony No. 32 in G Major, K. 318: II. Andante\u003c\/li\u003e\n\u003cli\u003eSymphony No. 32 in G Major, K. 318: III. Primo tempo\u003c\/li\u003e\n\u003cli\u003eLucio Silla, K. 135: Overtura: I. Molto allegro\u003c\/li\u003e\n\u003cli\u003eLucio Silla, K. 135: Overtura: II. Andante\u003c\/li\u003e\n\u003cli\u003eLucio Silla, K. 135: Overtura: III. Molto allegro\u003c\/li\u003e\n\u003cli\u003eSymphony No. 35 in D Major, K. 385 \"Haffner\": I. Allegro con spirito\u003c\/li\u003e\n\u003cli\u003eSymphony No. 35 in D Major, K. 385 \"Haffner\": II. Andante\u003c\/li\u003e\n\u003cli\u003eSymphony No. 35 in D Major, K. 385 \"Haffner\": III. Menuetto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 35 in D Major, K. 385 \"Haffner\": IV. Finale. Presto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 34 in C Major, K. 338: I. Allegro vivace\u003c\/li\u003e\n\u003cli\u003eSymphony No. 34 in C Major, K. 338: II. Andante di molto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 34 in C Major, K. 338: III. Finale. Allegro vivace\u003c\/li\u003e\n\u003cli\u003eSymphony No. 38 in D Major, K. 504 \"Prague\": I. Adagio - Allegro\u003c\/li\u003e\n\u003cli\u003eSymphony No. 38 in D Major, K. 504 \"Prague\": II. Andante\u003c\/li\u003e\n\u003cli\u003eSymphony No. 38 in D Major, K. 504 \"Prague\": III. Finale. Presto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 41 in C Major, K. 551 \"Jupiter\": I. Allegro vivace\u003c\/li\u003e\n\u003cli\u003eSymphony No. 41 in C Major, K. 551 \"Jupiter\": II. Andante cantabile\u003c\/li\u003e\n\u003cli\u003eSymphony No. 41 in C Major, K. 551 \"Jupiter\": III. Menuetto. Allegretto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 41 in C Major, K. 551 \"Jupiter\": IV. Molto allegro\u003c\/li\u003e\n\u003cli\u003eConcerto for Two Pianos No. 10 in E-Flat Major, K. 365: I. Allegro\u003c\/li\u003e\n\u003cli\u003eConcerto for Two Pianos No. 10 in E-Flat Major, K. 365: II. Andante\u003c\/li\u003e\n\u003cli\u003eConcerto for Two Pianos No. 10 in E-Flat Major, K. 365: III. Rondeau. Allegro\u003c\/li\u003e\n\u003cli\u003eFantasy for Two Pianos\u003c\/li\u003e\n\u003cli\u003ePing-Pong\u003c\/li\u003e\n\u003cli\u003ePiano Concerto No. 26 in D Major, K. 537 \"Coronation\": I. Allegro\u003c\/li\u003e\n\u003cli\u003ePiano Concerto No. 26 in D Major, K. 537 \"Coronation\": II. Larghetto\u003c\/li\u003e\n\u003cli\u003ePiano Concerto No. 26 in D Major, K. 537 \"Coronation\": III. Allegretto\u003c\/li\u003e\n\u003cli\u003ePiano Concerto No. 23 in A Major, K. 488: I. Allegro\u003c\/li\u003e\n\u003cli\u003ePiano Concerto No. 23 in A Major, K. 488: II. Andante\u003c\/li\u003e\n\u003cli\u003ePiano Concerto No. 23 in A Major, K. 488: III. Allegro assai\u003c\/li\u003e\n\u003cli\u003eCosÃ¬ fan tutte, K. 588 Complete Opera\u003c\/li\u003e\n\u003cli\u003eDon Giovanni, K. 527: Complete Opera\u003c\/li\u003e\n\u003cli\u003eLe nozze di Figaro, K. 492: Complete Opera\u003c\/li\u003e\n\u003cli\u003eThamos, K. 345, Act 1: Chor. \"Schon weichet dir, Sonne\"\u003c\/li\u003e\n\u003cli\u003eThamos, K. 345, Act 1: Interlude\u003c\/li\u003e\n\u003cli\u003eThamos, K. 345, Act 2: Interlude\u003c\/li\u003e\n\u003cli\u003eThamos, K. 345, Act 3: Interlude\u003c\/li\u003e\n\u003cli\u003eThamos, K. 345, Act 4: Interlude\u003c\/li\u003e\n\u003cli\u003eThamos, K. 345, Act 5: Chor. \"Gottheit, Ã¼ber alle mÃ¤chtig!\"\u003c\/li\u003e\n\u003cli\u003eThamos, K. 345, Act 5: Interlude - Solo von Sethos und Chor \"Ihr Kinder des Staubes, erzittert und bebet\"\u003c\/li\u003e\n\u003cli\u003ePrima la musica e poi le parole: Sinfonia\u003c\/li\u003e\n\u003cli\u003ePrima la musica e poi le parole: Duetto. \"Signor Poeta mio\" (Poeta, Maestro)\u003c\/li\u003e\n\u003cli\u003ePrima la musica e poi le parole: Recitativo. \"Non dubitar, verrÃ²\" (Eleonora)\u003c\/li\u003e\n\u003cli\u003ePrima la musica e poi le parole: Aria. \"LÃ  tu vedrai chi sono\" (Eleonora)\u003c\/li\u003e\n\u003cli\u003ePrima la musica e poi le parole: Trio. \"Cari oggetti\" (Eleonora, Poeta, Maestro)\u003c\/li\u003e\n\u003cli\u003ePrima la musica e poi le parole: Aria. \"Via largo, largo, largo\" - Recitativo. \"Voi non piangete, o perfidi?\" (Tonina, Poeta, Ma\u003c\/li\u003e\n\u003cli\u003ePrima la musica e poi le parole: Cavatina. \"Cucuzze! Che concorso\" (Tonina)\u003c\/li\u003e\n\u003cli\u003ePrima la musica e poi le parole: Finale. \"Se questo mio pianto il cor non ti tocca\" (Eleonora, Tonina, Poeta, Maestro)\u003c\/li\u003e\n\u003cli\u003eDer Schauspieldirektor, K. 486: OuvertÃ¼re\u003c\/li\u003e\n\u003cli\u003eDer Schauspieldirektor, K. 486: Ariette. \"Da schlÃ¤gt die Abschiedsstunde\" (Madame Herz)\u003c\/li\u003e\n\u003cli\u003eDer Schauspieldirektor, K. 486: Rondo. \"Bester JÃ¼ngling! Mit EntzÃ¼cken\" (Mademoiselle Silberklang)\u003c\/li\u003e\n\u003cli\u003eDer Schauspieldirektor, K. 486: Terzett. \"Ich bin die erste SÃ¤ngerin\" (Madame Herz, Mademoiselle Silberklang, Monsieur Vogelsan\u003c\/li\u003e\n\u003cli\u003eDer Schauspieldirektor, K. 486: Vaudeville. \"Jeder KÃ¼nstler strebt nach Ehre\" (Madame Herz, Mademoiselle Silberklang, Monsieur\u003c\/li\u003e\n\u003cli\u003eSymphony No. 93 in D Major, Hob. I:93: I. Adagio - Allegro assai\u003c\/li\u003e\n\u003cli\u003eSymphony No. 93 in D Major, Hob. I:93: II. Largo cantabile\u003c\/li\u003e\n\u003cli\u003eSymphony No. 93 in D Major, Hob. I:93: III. Menuetto - Trio\u003c\/li\u003e\n\u003cli\u003eSymphony No. 93 in D Major, Hob. I:93: IV. Finale. Presto ma non troppo\u003c\/li\u003e\n\u003cli\u003eSymphony No. 100 in G Major, Hob. I:100 \"Military\": I. Adagio - Allegro\u003c\/li\u003e\n\u003cli\u003eSymphony No. 100 in G Major, Hob. I:100 \"Military\": II. Allegretto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 100 in G Major, Hob. I:100 \"Military\": III. Menuetto. Moderato\u003c\/li\u003e\n\u003cli\u003eSymphony No. 100 in G Major, Hob. I:100 \"Military\": IV. Finale. Presto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 68 in B-Flat Major, Hob. I:68: I. Vivace\u003c\/li\u003e\n\u003cli\u003eSymphony No. 68 in B-Flat Major, Hob. I:68: II. Menuetto - Trio\u003c\/li\u003e\n\u003cli\u003eSymphony No. 68 in B-Flat Major, Hob. I:68: III. Adagio cantabile\u003c\/li\u003e\n\u003cli\u003eSymphony No. 68 in B-Flat Major, Hob. I:68: IV. Finale. Presto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 94 in G Major, Hob. I:94 \"Surprise\": I. Adagio cantabile - Vivace assai\u003c\/li\u003e\n\u003cli\u003eSymphony No. 94 in G Major, Hob. I:94 \"Surprise\": II. Andante\u003c\/li\u003e\n\u003cli\u003eSymphony No. 94 in G Major, Hob. I:94 \"Surprise\": III. Menuetto - Trio\u003c\/li\u003e\n\u003cli\u003eSymphony No. 94 in G Major, Hob. I:94 \"Surprise\": IV. Finale. Allegro di molto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 95 in C Minor, Hob. I:95: I. Allegro\u003c\/li\u003e\n\u003cli\u003eSymphony No. 95 in C Minor, Hob. I:95: II. Andante\u003c\/li\u003e\n\u003cli\u003eSymphony No. 95 in C Minor, Hob. I:95: III. Menuetto - Trio\u003c\/li\u003e\n\u003cli\u003eSymphony No. 95 in C Minor, Hob. I:95: IV. Finale. Vivace\u003c\/li\u003e\n\u003cli\u003eSymphony No. 96 in D Major, Hob. I:96 \"Miracle\": I. Adagio - Allegro\u003c\/li\u003e\n\u003cli\u003eSymphony No. 96 in D Major, Hob. I:96 \"Miracle\": II. Andante\u003c\/li\u003e\n\u003cli\u003eSymphony No. 96 in D Major, Hob. I:96 \"Miracle\": III. Menuetto. Allegretto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 96 in D Major, Hob. I:96 \"Miracle\": IV. Finale. Vivace assai\u003c\/li\u003e\n\u003cli\u003eSymphony No. 97 in C Major, Hob. I:97: I. Adagio - V\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 5026854176208\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Warner Classics\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.6.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Warner Classics","offers":[{"title":"Default Title","offer_id":46213271716036,"sku":"5026854176208","price":151.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0711\/9336\/2628\/files\/4510123-3570187.jpg?v=1780627528"},{"product_id":"pre-order-lahav-shani-rotterdam-philharmonic-dvorak-symphony-no-9-cd","title":"Pre-Order: Lahav Shani  \/ Rotterdam Philharmonic - Dvorak: Symphony No. 9 [CD]","description":"\u003cp\u003eDvorÃ¡k's much-loved Symphony No. 9 'From the New World', with it's captivating blend of Slavonic and American spirit, now joins the sequence of symphonies recorded for Warner Classics by the Rotterdam Philharmonic Orchestra and it's Chief Conductor Lahav Shani. Paired with the symphony is a rarely heard work, dating from 1905 - 12 years on from the New York premiere of DvorÃ¡k's symphony - by the Dutch composer Johan Wagenaar (1862-1941). His concert overture, Cyrano de Bergerac portrays the eloquent hero of Edmond de Rostand's celebrated tragi-comic play of 1897. With it's impetuous opening, soaring melodies and brilliant orchestration, Wagenaar's work is unmistakably in the vein of Richard Strauss's sumptuous symphonic poem Don Juan. When it was performed in Rotterdam in 2025, the critic of de Nieuwe Muze hailed it as \"an exciting adventure story in sound\".\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eCyrano de Bergerac, Op. 23\u003c\/li\u003e\n\u003cli\u003eSymphony No. 9 in E minor, Op. 95, B. 178 \"From the New World\": I. Adagio - Allegro Molto\u003c\/li\u003e\n\u003cli\u003eSymphony No. 9 in E minor, Op. 95, B. 178 \"From the New World\": II. Largo\u003c\/li\u003e\n\u003cli\u003eSymphony No. 9 in E minor, Op. 95, B. 178 \"From the New World\": III. Molto Vivace\u003c\/li\u003e\n\u003cli\u003eSymphony No. 9 in E minor, Op. 95, B. 178 \"From the New World\": IV. 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With ten widely admired recordings to it's name and numerous festival distinctions, the Kielce-based choir Fermata has earned a reputation for interpretative insight, tonal refinement, and exemplary musicianship. For the listener, this is music experienced ex anima-from the soul-inviting a deeply felt and spiritually resonant encounter.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 5902547022369\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Dux Recording Prod.\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.6.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\u003c\/div\u003e","brand":"Dux Recording Prod.","offers":[{"title":"Default Title","offer_id":46213273911492,"sku":"5902547022369","price":21.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0711\/9336\/2628\/files\/4510350-3573485.jpg?v=1780627539"},{"product_id":"pre-order-la-roux-old-flames-cd","title":"Pre-Order: La Roux - Old Flames [CD]","description":"\u003cp\u003eGrammy-winning producer, songwriter, and performer La Roux returns with her long-awaited fourth album, Old Flames. Composed, written, produced, and arranged by La Roux herself, Old Flames clears the space for something new.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 199957460309\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Casablanca\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.6.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\u003c\/div\u003e","brand":"Casablanca","offers":[{"title":"Default Title","offer_id":46213332140228,"sku":"199957460309","price":18.99,"currency_code":"USD","in_stock":true}]},{"product_id":"pre-order-van-der-graaf-generator-orbital-mechanics-mint-pearl-coloured-vinyl-lp","title":"Pre-Order: Van Der Graaf Generator - Orbital Mechanics (mint Pearl Coloured Vinyl) [LP]","description":"\u003cp\u003eRecorded Live For BBC Radio's Sounds Of The 70's Program 1970 \u0026amp; 1971\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eTheme One\u003c\/li\u003e\n\u003cli\u003eAfter The Flood\u003c\/li\u003e\n\u003cli\u003eVisions\u003c\/li\u003e\n\u003cli\u003eDarkness\u003c\/li\u003e\n\u003cli\u003eRefugees\u003c\/li\u003e\n\u003cli\u003eManerg\u003c\/li\u003e\n\u003cli\u003eKiller\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 5055892201511\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.6.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl Records\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Alliance - BT","offers":[{"title":"Default Title","offer_id":46213342625988,"sku":"5055892201511","price":42.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0711\/9336\/2628\/files\/4516651-3601303.jpg?v=1780627984"},{"product_id":"pre-order-la-roux-old-flames-black","title":"Pre-Order: La Roux - Old Flames [Black]","description":"\u003cp\u003eGrammy-winning producer, songwriter, and performer La Roux returns with her long-awaited fourth album, Old Flames. Composed, written, produced, and arranged by La Roux herself, Old Flames clears the space for something new.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 199957528856\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Casablanca\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.6.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl Records\u003c\/p\u003e\u003c\/div\u003e","brand":"Casablanca","offers":[{"title":"Default Title","offer_id":46213344690372,"sku":"199957528856","price":37.99,"currency_code":"USD","in_stock":true}]},{"product_id":"pre-order-la-roux-old-flames-indie-exclusive-dark-green","title":"Pre-Order: La Roux - Old Flames [Indie Exclusive Dark Green]","description":"\u003cp\u003eGrammy-winning producer, songwriter, and performer La Roux returns with her long-awaited fourth album, Old Flames. Composed, written, produced, and arranged by La Roux herself, Old Flames clears the space for something new.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\u003cp\u003e*** Indie Exclusive ***\u003cbr\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 199957528887\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Casablanca\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.6.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl Records\u003c\/p\u003e\u003c\/div\u003e","brand":"Casablanca","offers":[{"title":"Default Title","offer_id":46213346459844,"sku":"199957528887","price":37.99,"currency_code":"USD","in_stock":true}]},{"product_id":"pre-order-liminal-white-dots-colored-vinyl-numb","title":"Pre-Order: Liminal - White Dots [Colored Vinyl] (Numb)","description":"\u003cp\u003eIf you ever wanted to be a part of something before it becomes something, now is your chance... In 2023, we kept hearing about them. About these 'kids' from the hills somewhere up in the Northern Rivers. Who could play - like really play - and could make face-melting psych-jazz-rock that sounded fresh and reverent all at the same time. We walked into Howl \u0026amp; Moan on a trip up to Byron Bay and they told us about them. They sold us this record that had just come in.  And it was so good that we bought them all - all 100 - from the band to sell to you - and they sold out all around the world. But we believe in it. And we wanted to give it a wider audience. And now their new single 'The Crop' is going viral on YouTube. We watched the videos from their - own, self-curated - festival, Anemoia. They made and edited them too. Our jaws picked themselves up from the floor. Liminal made this all themselves. The feeling that we had was similar to that first time we heard Innerspeaker. But darker, yet also a little more playful. Trust us, if you like early Tame, if you like Pond, or even those Australian psych overlords KG \u0026amp; TLW, we think you'll dig this record.  This is Liminal's second album from 2023. They are currently writing and recording the third one, deep in the hills behind Lismore, which will be out later in 2026. White Dots comes with a specially-designed obi strip from Alako Myles, founder, drummer, producer and mixer and co-writer of Liminal. There's only 500 numbered copies of these in heavyweight clear and white splatter vinyl, with our custom designed obi strip and we know you'll feel like we did when you play it. Gobsmacked.This is a second pressing, the first press has sold out.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eEtterath\u003c\/li\u003e\n\u003cli\u003eSand Dream\u003c\/li\u003e\n\u003cli\u003eCrimson\u003c\/li\u003e\n\u003cli\u003eElectricity\u003c\/li\u003e\n\u003cli\u003eI Live for You\u003c\/li\u003e\n\u003cli\u003eVoid Carpet\u003c\/li\u003e\n\u003cli\u003eWhite Dots\u003c\/li\u003e\n\u003cli\u003eUnearthly Kind\u003c\/li\u003e\n\u003cli\u003eDesert Trees\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 9362299000255\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Impressed\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.6.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl Records\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Impressed","offers":[{"title":"Default Title","offer_id":46213387354308,"sku":"9362299000255","price":34.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0711\/9336\/2628\/files\/4519183-3609206.jpg?v=1780628292"},{"product_id":"pre-order-surf-trash-no-chaser-blue-blue-colored-vinyl","title":"Pre-Order: Surf Trash - No Chaser - Blue (Blue) [Colored Vinyl]","description":"\u003cp\u003eEighteen months on from the runaway success of The Only Place I Know - the debut that crashed in at #1 on the ARIA charts and #2 on the ARIA Vinyl Chart - Lake Macquarie's Surf Trash are back, and they're not watering it down. Their sophomore album No Chaser lands neat, on the rocks, no apologies: ten tracks of melodic surf-pop-punk hammered out by a band that has clearly spent the last year sharpening every edge. It's a record you can hear the kilometers in. Between The Only Place I Know and now, Andrew Scott, Lachlan Jackson, Patrick Russell and Nick Scott have torn through a sold-out national run, crisscrossed the UK and Europe, and made a habit of leaving rooms louder than they found them. No Chaser carries the dust from all of it - bigger choruses, leaner production, a touch more bruise underneath the gloss. There's still that windows-down, salt-on-the-windscreen feel that made the debut impossible to ignore, but it's wired into songs that swing harder and cut deeper. Less wistful afternoon, more last-light drive home with the volume creeping up. The four-piece make melodic surf-pop-punk that sounds great turned up loud - driving in your mate's car on the way back to the beach. Their debut, The Fire Note wrote, \"delivers a dynamic debut... blending raw energy, introspective depth, and timeless indie rock flair.\" Manchester World called their first show on UK soil \"epic... high energy and great song after great song,\" and the live reputation has only grown since: a band that's earned every inch of the ceiling it now hits. No Chaser is the sound of them no longer waiting for permission. 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