{"title":"Soul\/R\u0026B","description":null,"products":[{"product_id":"earth-wind-fire-earth-wind-fire-greatest-hits-cd","title":"Earth, Wind \u0026 Fire - Earth Wind \u0026 Fire Greatest Hits [CD]","description":"\u003cp\u003eFor the 1st time on CD, the ultimate EWF hits collection featuring 17 smashes, newly mastered for superior sound. Highlights include 13 Top 10 hits including seven #1 smashes: \"Shining Star,\" \"Sing a Song,\" \"Got to Get You Into My Life,\" \"September,\" \"Let's Groove,\" \"Serpentine Fire\" and \"Getaway.\" Also, all the beautiful EWF ballads including \"Reasons,\" \"After the Love Is Gone\" and much more. 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Written alongside Amy Allen (Olivia Dean), Steph Jones (Sabrina Carpenter, JADE), Julian Bunetta (Teddy Swims, Gracia Abrams), and Boy Matthews (TWICE, Zayn), and featuring contributions from previous collaborators Skippz, Oak Felder and Sevyn Streeter, THERAPY AT THE CLUB is a bold showcase of FLO's artistry, with extensive songwriting and production credits from the trio across the album.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 199957622004\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Republic Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 8.7.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\u003c\/div\u003e","brand":"Republic Records","offers":[{"title":"Default Title","offer_id":46213346427076,"sku":"199957622004","price":13.99,"currency_code":"USD","in_stock":true}]},{"product_id":"pre-order-thee-sinseers-love-stories-cd","title":"Pre-Order: Thee Sinseers - Love Stories [CD]","description":"\u003cp\u003eCatching up with Thee Sinseers ahead of their new Colemine Records release, Love Stories, one thing becomes abundantly clear: this is not an LP that explores a neat and tidy love story.The vision of love put forth on this record is full-spectrum. Think of the seminal 1993 East LA film Blood In Blood Out - three protagonists bound together through hardship, strife, and diverging roads, who ultimately circle back to reckon with why they remain. It's a similar story here. Love Stories isn't interested in the happy ending. It's interested in everything that comes before it, after it, and in spite of it.Of course, none of this is accidental. More than a new record, Love Stories is a portrait of a band that has finally grown into itself - one that knows exactly who it is and isn't shy about saying so. As Quiñones puts it: \"It's a solidifying statement of where we are now. This is our style.\"Bassist Christopher Manjarrez described that confidence as something you can hear: \"Everything was just that notch up.\" In contrast to Sinseerly Yours, which had developed organically from a four-piece into an eleven-member ensemble, Love Stories was built from the ground up as a collective effort - every role established before the band entered the studio. \"We went in knowing these are the roles that are gonna be played by these people,\" Quiñones says. \"Everybody was considered wholeheartedly in every arrangement aspect.\"That collective approach extended into the sonic choices themselves. Every member zoomed out - listening not just to their own parts but to the record as a whole, what Quiñones calls thinking like \"a beautiful painting\" rather than a collection of individual tracks. With that foundation in place, the band handed the final mix to engineer Kelly Finnigan. \"We could get so far with our opinions,\" Quiñones admits, \"but at the end of the day there's still 10 or 11 of us trying to figure out what's right.\" The band also leaned into earthier instrumentation - standup bass, guitars run through amplifiers for a warmer sixties-adjacent tone - pulling inspiration from wherever it presented itself, even the most unlikely of places. It's that cross-genre thinking that Quiñones sees as the record's defining quality. \"It didn't feel like we were making soul music at any point,\" he says. \"It felt like we were making our music.\"But the sonic ambition of Love Stories only tells half the story. The band sought to capture something more honest than a highlight reel - showcasing the highs and lows of romantic relationships while expanding the frame to include the familial, the complicated, and the unresolved. On \"Let's Fall In Love (Again),\" Quiñones's protagonist pleads for a second chance before stopping mid-song to acknowledge his own role in the heartbreak - trading wishful fantasy for something far more honest. It's that kind of emotional candor that runs throughout the record. The band's parents appear in the album art, their own love stories folded into the record's visual identity, some of those stories still standing, others not. As Manjarrez puts it: \"Every single song title directs you down a different road of love - whether you win or lose.\" Quiñones wanted listeners to sit with that ambiguity. \"Love is never-ending,\" he says. \"It stretches beyond lifetimes. 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Indie cult classics for fans of West Coast punk, power pop, new wave and synth music. Here, this ultra-rare album - from the middle period after a long time releasing music with MCA - sees American singer-songwriter and producer Lenny Williams bring the funk and disco groove to this fantastic collection of songs that is as infectious as it is unheard. An exciting pick and one not to be missed for any hunter of unusual 80s gems. 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Twelve brand new tracks of cinematic crime funk, psychedelia, and hypnotic groove that don't accompany Ellroy's world so much as inhabit it.The soundtrack's move through Ellroy's fictional and real-world mythologies with deliberate precision. Stylistically, the album finds Calibro 35 in their most natural yet most cinematic state: crime funk, psychedelia, and hypnotic groove pushed into darker, more narrative-driven territory by the weight of Ellroy's world. From the gloomy, suspense-laden groove of the opener Black Dahlia to the evocative closing piece Moonlight Sonative, the album unfolds as a complete cinematic arc, showcasing Calibro 35 at their very best. L.A. Confidential delivers a super-suspenseful, thrilling tension that feels like a chase through neon-lit streets, while Riots erupts into explosive cinematic funk, capturing chaos and urban unrest in full force. 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A comprehensive retrospective of Baltimore's mid-'60s\/early-'70s label, Chariot Records. Features the complete Chariot discography on 2 CDs for the first time, including 5 previously unissued tracks. Collection showcases the complete recorded output of Coyote and Baltimore favorites Bob Brady And The Con Chords, alongside recordings by Pen Lucy and Gus Johnson with Hope. Liner notes by former Chariot owner and producer Brent Gordon. The 1960s were exhilarating times for the music business. Independent labels across the United States were creating overnight sensations almost daily. Creative hubs like Detroit, Memphis, Chicago, and Los Angeles were shaping and defining the sounds of tomorrow-today. Among these vibrant scenes was Baltimore, Maryland-home to Chariot Records, a label that delivered a deeply soulful strain of R\u0026amp;B unlike anything else in the country. Omnivore Recordings, the award-winning reissue label, is proud to announce the acquisition of Chariot Records. 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